Evaluative schemas and the attention of critics in the US film industry

Greta Hsu

Industrial and Corporate Change, 2006, vol. 15, issue 3, 467-496

Abstract: This article explores the constraints evaluative schemas place on critics' allocation of attention. Prior research suggests that a critic's ability to establish himself as an expert of the market is based on the appeal to a rationalized and defensible system of standards for evaluating products. In this article, I argue that this creates a fundamental bias in the allocation of critical attention such that critics will demonstrate a tendency to favor arenas in which they have developed clear and structured schemas for evaluation. As a result, producers within such categories will receive disproportionately greater critical attention. I test and find support for this hypothesis within the context of the US feature film industry. The implications of this bias in terms of producer legitimacy are discussed. Copyright 2006, Oxford University Press.

Date: 2006
References: Add references at CitEc
Citations: View citations in EconPapers (25)

There are no downloads for this item, see the EconPapers FAQ for hints about obtaining it.

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:oup:indcch:v:15:y:2006:i:3:p:467-496

Ordering information: This journal article can be ordered from
https://academic.oup.com/journals

Access Statistics for this article

Industrial and Corporate Change is currently edited by Josef Chytry

More articles in Industrial and Corporate Change from Oxford University Press and the Associazione ICC Oxford University Press, Great Clarendon Street, Oxford OX2 6DP, UK.
Bibliographic data for series maintained by Oxford University Press ().