The consumption of cultural goods through the internet. How is it affected by the digital divide?
Victoria Ateca-Amestoy and
Concetta Castiglione
No AWP-04-2016, ACEI Working Paper Series from Association for Cultural Economics International
Abstract:
Cultural engagement through the internet is becoming a more popular way of cultural participation, as computers and mobile devices are the outlet for more cultural experiences. On the one hand, this may help to access a wider variety of cultural contents in the form of digital goods. On the other hand, the digital divide could further exacerbate the stratification of cultural consumption. Using data from the 2012 Survey of Public Participation in the Arts for the United States, we explain the determinants of cultural participation through digital engagement for highbrow and lowbrow cultural activities, explicitly accounting for the selection in the sample of internet users. Our results suggest different determinants of these two categories, especially for the role played by age and education.
Keywords: Cultural participation; digital engagement; interne cultural consumption; selection; Heckman selection probit model (search for similar items in EconPapers)
JEL-codes: Z10 (search for similar items in EconPapers)
Pages: 19 pages
Date: 2016-05, Revised 2016-05
New Economics Papers: this item is included in nep-cul, nep-ict, nep-net and nep-pay
References: View references in EconPapers View complete reference list from CitEc
Citations: View citations in EconPapers (1)
Downloads: (external link)
http://files.culturaleconomics.org/papers/AWP-04-2016.pdf (application/pdf)
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:cue:wpaper:awp-04-2016
Access Statistics for this paper
More papers in ACEI Working Paper Series from Association for Cultural Economics International Contact information at EDIRC.
Bibliographic data for series maintained by Paul Crosby ().