EconPapers    
Economics at your fingertips  
 

Why would artists favor free streaming?

Ramadan Aly-Tovar, Maya Bacache-Beauvallet (), Marc Bourreau and François Moreau
Additional contact information
Ramadan Aly-Tovar: CEPN - Centre d'Economie de l'Université Paris Nord - CNRS - Centre National de la Recherche Scientifique - Université Sorbonne Paris Nord
Maya Bacache-Beauvallet: Télécom ParisTech, ECOGE - Economie Gestion - I3 SES - Institut interdisciplinaire de l’innovation de Telecom Paris - Télécom Paris - IMT - Institut Mines-Télécom [Paris] - IP Paris - Institut Polytechnique de Paris - I3 - Institut interdisciplinaire de l’innovation - CNRS - Centre National de la Recherche Scientifique, SES - Département Sciences Economiques et Sociales - Télécom Paris - IMT - Institut Mines-Télécom [Paris] - IP Paris - Institut Polytechnique de Paris

Authors registered in the RePEc Author Service: Ramadan Jose Aly Tovar ()

Post-Print from HAL

Abstract: While streaming services are becoming the dominant way to consume recorded music, professional musicians remain divided in their opinion toward streaming, especially toward free (ad-supported) services that generate very low royalties. This paper is one of the first attempts to analyze empirically the drivers of the artists' opinion on free streaming. Using survey data from more than 1100 French professional musicians, we emphasize that beyond their individual preferences, four main determinants affect the opinion of artists on free streaming: (1) Free streaming stands as a discovery tool that helps consumers to explore the music catalogue beyond stars and already well-known artists; (2) free streaming generates a positive externality on the live music market; (3) the contractual situation of the artist also matters, since the biggest recording companies obtain much more favorable conditions in revenue sharing from streaming services; (4) the opinion of artists is also shaped by the consumption habits of their fans.

Date: 2020
Note: View the original document on HAL open archive server: https://ut3-toulouseinp.hal.science/hal-02164712v1
References: Add references at CitEc
Citations: View citations in EconPapers (4)

Published in Journal of Cultural Economics, 2020, 44, pp.255-280. ⟨10.1007/s10824-019-09358-z⟩

Downloads: (external link)
https://ut3-toulouseinp.hal.science/hal-02164712v1/document (application/pdf)

Related works:
Journal Article: Why would artists favor free streaming? (2020) Downloads
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-02164712

DOI: 10.1007/s10824-019-09358-z

Access Statistics for this paper

More papers in Post-Print from HAL
Bibliographic data for series maintained by CCSD ().

 
Page updated 2025-03-22
Handle: RePEc:hal:journl:hal-02164712