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Details about François MOREAU

Workplace:Centre d'Économie de l'Université Paris-Nord (CEPN) (Economic Center of Paris Nord University), Université Paris-13 (University of Paris-13), (more information at EDIRC)

Access statistics for papers by François MOREAU.

Last updated 2020-06-16. Update your information in the RePEc Author Service.

Short-id: pmo920


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Working Papers

2019

  1. Digital consumption: A threat for local content?
    Post-Print, HAL
    Also in Post-Print, HAL (2019)
  2. L’artiste maudit 2.0: l’impact des TIC sur le revenu des musiciens
    Post-Print, HAL
    Also in Post-Print, HAL (2018)

    See also Journal Article in Revue économique (2019)
  3. Recent or Free? An Experimental Study of the Motivations for Pirating Movies
    CESifo Working Paper Series, CESifo Downloads
  4. Why would artists favor free streaming?
    Post-Print, HAL View citations (1)
    Also in Post-Print, HAL (2019) View citations (1)

    See also Journal Article in Journal of Cultural Economics (2020)

2018

  1. Les musiciens et la transformation numérique
    Post-Print, HAL
  2. Les musiciens et la transformation numérique: Un nouvel équilibre ?
    Post-Print, HAL

2016

  1. L’économie numérique de la distribution des œuvres et le financement de la création
    Working Papers, HAL
    Also in CEPN Working Papers, HAL (2016)
    Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers), HAL (2016)

2013

  1. Selling less of more? The impact of digitization on record companies
    Post-Print, HAL
    Also in Post-Print, HAL (2013) View citations (1)

    See also Journal Article in Journal of Cultural Economics (2013)

2012

  1. De la visibilité à l'attention: les musiciens sur Internet
    Post-Print, HAL
  2. The Impact of a Radical Innovation on Business Models: Incremental Adjustments or Big Bang?
    Post-Print, HAL View citations (4)
    See also Journal Article in Industry and Innovation (2012)

Journal Articles

2020

  1. Why would artists favor free streaming?
    Journal of Cultural Economics, 2020, 44, (2), 255-280 Downloads
    See also Working Paper (2019)

2019

  1. L’artiste maudit 2.0: l’impact des TIC sur le revenu des musiciens
    Revue économique, 2019, 70, (1), 31-51 Downloads
    See also Working Paper (2019)

2017

  1. E-commerce and the market structure of the recorded music industry
    Applied Economics Letters, 2017, 24, (9), 598-601 Downloads

2016

  1. ?Information asymmetry and 360-Degree Contracts in the Recorded Music Industry?
    Revue d'économie industrielle, 2016, n° 156, (4), 57-90 Downloads

2015

  1. Piracy and creation: the case of the music industry
    European Journal of Law and Economics, 2015, 39, (2), 245-262 Downloads View citations (6)
  2. Une analyse économique du phénomène de la longue traîne dans les industries culturelles
    Revue française d'économie, 2015, Volume XXX, (2), 179-216 Downloads

2014

  1. L'impact du piratage sur l'achat et le téléchargement légal. Une comparaison de quatre filières culturelles
    Revue économique, 2014, 65, (3), 573-600 Downloads View citations (1)
  2. On the complementarity between online and offline music consumption: the case of free streaming
    Journal of Cultural Economics, 2014, 38, (4), 315-330 Downloads View citations (15)

2013

  1. “Selling less of more?” The impact of digitization on record companies
    Journal of Cultural Economics, 2013, 37, (3), 327-346 Downloads View citations (4)
    See also Working Paper (2013)

2012

  1. DOMESTIC INVESTMENT AND FDI IN DEVELOPING COUNTRIES: THE MISSING LINK
    Journal of Economic Development, 2012, 37, (3), 1-23 Downloads View citations (18)
  2. Internet and the ‘Long Tail versus superstar effect’ debate: evidence from the French book market
    Applied Economics Letters, 2012, 19, (8), 711-715 Downloads View citations (10)
  3. The Impact of a Radical Innovation on Business Models: Incremental Adjustments or Big Bang?
    Industry and Innovation, 2012, 19, (5), 415-435 Downloads View citations (13)
    See also Working Paper (2012)

2009

  1. Maisons de disques et artistes: convergence ou conflit d'intérêts face au numérique ?
    Annals of Economics and Statistics, 2009, (93-94), 183-205 Downloads View citations (1)
  2. The Music Industry in the Digital Era: Toward New Contracts
    Journal of Media Economics, 2009, 22, (2), 102-113 Downloads View citations (15)

2007

  1. Note de Recherche. Analyse de la crise de l'industrie hôtelière en Martinique. Les apports du paradigme Structure-Comportement-Performance
    Revue d'économie régionale et urbaine, 2007, mai, (1), 97-110 Downloads
  2. The Convergence between Content and Access: Internalizing the Market Complementarity
    Review of Network Economics, 2007, 6, (2), 1-14 Downloads View citations (2)

2004

  1. Cultural Diversity in the Movie Industry: A Cross-National Study
    Journal of Media Economics, 2004, 17, (2), 123-143 Downloads View citations (6)
  2. The role of the state in evolutionary economics
    Cambridge Journal of Economics, 2004, 28, (6), 847-874 Downloads View citations (19)

2001

  1. Forums de consommation sur Internet. Un modèle évolutionniste
    Revue économique, 2001, 52, (7), 119-135 Downloads
    Also in Revue Économique, 2001, 52, (1), 119-135 (2001) Downloads View citations (1)
  2. Managing technological catastrophic risks
    Risk, Decision and Policy, 2001, 6, (1), 17-32 Downloads
 
Page updated 2020-10-30