From Brotherhood to Homo-Desire: The (Im)Moral Production of Unfulfilled Romance in Chinese Bromance

Pengnan Hu and Rishuai Chen
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Pengnan Hu: Research Centre of Creative Arts and Public Values, The Education University of Hong Kong, Hong Kong / Department of Literature and Cultural Studies, The Education University of Hong Kong, Hong Kong
Rishuai Chen: African Studies Centre Leiden, Leiden University, The Netherlands / Faculty of Social and Behavioural Sciences, Leiden University, The Netherlands

Media and Communication, 2026, vol. 14

Abstract: This article examines how Chinese bromance dramas produce and circulate homo-desire under a regime of moral censorship. Existing commentary often treats bromance as a strategic substitute for boys’ love (BL): a compromised form that compensates for the absence of explicit same-sex romance. Challenging this assumption, we draw on Deleuze and Guattari’s concept of desiring-production to argue that bromance is not defined by what it cannot show, but by what it actively generates through aesthetic form and participatory spectatorship. Focusing on Justice in the Dark ( Guangyuan , 2023), we combine textual analysis with online observation of viewer discussions, screenshots, and fan edits on RedNote. We identify two interlocking mechanisms through which homo-desire becomes legible without explicit naming. First, a widely cited “sense of atmosphere” ( fenwei gan ) emerges through viewers’ capture and interpretation of lighting, touch, objects, and eye-acting, by means of which forms of male–male intimacy “taken away” by moral censorship are re-produced and made desirable precisely because of their unspoken mutuality. Second, viewers’ reinterpretations of the character Luo Wenzhou, remaking an authoritative police figure into an erotically appealing beagle-husband, queering state-aligned masculinity. By reframing bromance as a productive genre rather than a deficient substitute for BL, this article contributes to debates on censorship, queer visibility, and the politics of spectatorship in contemporary Chinese screen culture.

Keywords: boys’ love; censorship; Chinese bromance; dangai; desire (search for similar items in EconPapers)
Date: 2026
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Persistent link: https://EconPapers.repec.org/RePEc:cog:meanco:v14:y:2026:a:11956

DOI: 10.17645/mac.11956

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