Wilde and wilder: fin de siècle – fin de millénaire
Manfred Pfister
European Review, 2001, vol. 9, issue 3, 355-367
Abstract:
This paper traces the presence of fin de siècle Wilde in the postmodernist fin de millénaire a century after his death. He is still alive, not only with scholars and critics but, more importantly, with a wider public and with writers and film makers who keep re-inventing him in their novels, plays and films, radicalizing him into a postmodernist avant la lettre. This ‘wilder’ Wilde is studied here in recent biopics, bioplays and biofictions, such as Peter Ackroyd's The Last Testament of Oscar Wilde or Tom Stoppard's The Invention of Love, as well as in re-writings of his texts, such as in Joe Orton's What the Butler Saw or Mark Ravenhill's Handbag.
Date: 2001
References: Add references at CitEc
Citations:
Downloads: (external link)
https://www.cambridge.org/core/product/identifier/ ... type/journal_article link to article abstract page (text/html)
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:cup:eurrev:v:9:y:2001:i:03:p:355-367_00
Access Statistics for this article
More articles in European Review from Cambridge University Press Cambridge University Press, UPH, Shaftesbury Road, Cambridge CB2 8BS UK.
Bibliographic data for series maintained by Kirk Stebbing ().