From creative destruction to creative appropriation: A comprehensive framework
Jack Linzhou Xing and
Naubahar Sharif
Research Policy, 2020, vol. 49, issue 7
Abstract:
This paper introduces a conceptual modification of Schumpeter's concept of creative destruction. Identifying a Kuhnian anomaly in a case of creative destruction in the ‘new economy’, we analyze a case study of the Chinese e-hailing firm DiDi Chuxing to show that this firm used a strategy we term ‘creative appropriation’, whereby a new firm utilizes incumbent firms’ complementary assets but without cooperating with the incumbent, to disrupt a market. This exploitation of complementary assets is based on recombining prevailing technological infrastructure(s) as well as flexible business models that facilitate open innovation. Employing documentary analysis, participant-observation, face-to-face interviews with informants, and a quantitative survey, the study finds that DiDi deployed its e-hailing app to disrupt the taxi market in Xi'an, China (as it did elsewhere in China) as a means of creative destruction, appropriating human-resource-based complementary assets (social and personal reputations, tacit knowledge, and connections) of taxi companies in Xi'an, first to dominate e-hailing in the taxi industry and then to destroy that industry by shifting its focus to private cars.
Keywords: Creative destruction; Kuhnian anomaly; E-hailing; Creative appropriation; Complementary assets; Disruption (search for similar items in EconPapers)
Date: 2020
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Citations: View citations in EconPapers (4)
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Persistent link: https://EconPapers.repec.org/RePEc:eee:respol:v:49:y:2020:i:7:s0048733320301384
DOI: 10.1016/j.respol.2020.104060
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