Performance Experiments

G. Mazzola ()
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G. Mazzola: University of Zurich, Department of Information Technology MultiMedia Laboratory

Chapter Chapter 42 in The Topos of Music, 2002, pp 833-852 from Springer

Abstract: Summary This chapter traces the analyses and syntheses processes which led to the historically first full-fledged RUBATO®-driven performance in July 1996 on the MIDI-Boesendorfer at the Staatliche Hochschule ffir Musik in Karlsruhe, as well as to the qualitatively high performance of contrapunctus III in Bach’s Kunst der Fuge. We report the technical prerequisites, the analytical background generated by RUBATO®, and the step-by-step realization of the stemma and the overall parametrization.

Keywords: Performance Experiment; Performance Shaping; Musical Structure; Metrical Weight; Single Weight (search for similar items in EconPapers)
Date: 2002
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Persistent link: https://EconPapers.repec.org/RePEc:spr:sprchp:978-3-0348-8141-8_42

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DOI: 10.1007/978-3-0348-8141-8_42

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