The Topos of Music
Guerino Mazzola ()
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Guerino Mazzola: University of Zurich, Department of Information Technology MultiMedia Laboratory
in Springer Books from Springer
Date: 2002
ISBN: 978-3-0348-8141-8
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Chapters in this book:
- Ch Chapter 1 What is Music About?
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- Ch Chapter 10 Paradigmatic Classification
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- Ch Chapter 11 Orbits
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- Ch Chapter 12 Topological Specialization
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- Ch Chapter 13 Global Compositions
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- Ch Chapter 14 Global Perspectives
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- Ch Chapter 15 Global Classification
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- Ch Chapter 16 Classifying Interpretations
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- Ch Chapter 17 Esthetics and Classification
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- Ch Chapter 18 Predicates
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- Ch Chapter 19 Topoi of Music
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- Ch Chapter 2 Topography
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- Ch Chapter 20 Visualization Principles
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- Ch Chapter 21 Metrics and Rhythmics
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- Ch Chapter 22 Motif Gestalts
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- Ch Chapter 23 Critical Preliminaries
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- Ch Chapter 24 Harmonic Topology
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- Ch Chapter 25 Harmonic Semantics
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- Ch Chapter 26 Cadence
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- Ch Chapter 27 Modulation
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- Ch Chapter 28 Applications
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- Ch Chapter 29 Melodic Variation by Arrows
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- Ch Chapter 3 Musical Ontology
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- Ch Chapter 30 Interval Dichotomies as an Expression of Contrast
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- Ch Chapter 31 Modeling Counterpoint by Local Symmetries
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- Ch Chapter 32 Local and Global Performance Transformations
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- Ch Chapter 33 Performance Fields
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- Ch Chapter 34 Initial Sets and Initial Performances
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- Ch Chapter 35 Hierarchies and Performance Scores
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- Ch Chapter 36 Taxonomy of Expressive Performance
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- Ch Chapter 37 Performance Grammars
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- Ch Chapter 38 Stemma Theory
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- Ch Chapter 39 Operator Theory
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- Ch Chapter 4 Models and Experiments in Musicology
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- Ch Chapter 40 Architecture
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- Ch Chapter 41 The RUBETTE® Family
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- Ch Chapter 42 Performance Experiments
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- Ch Chapter 43 Analysis of Analysis
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- Ch Chapter 44 Differential Operators and Regression
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- Ch Chapter 45 Principles of Music Critique
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- Ch Chapter 46 Critical Fibers
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- Ch Chapter 47 Unfolding Geometry and Logic in Time
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- Ch Chapter 48 Local and Global Strategies in Composition
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- Ch Chapter 49 The Paradigmatic Discourse on presto ®
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- Ch Chapter 5 Navigation
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- Ch Chapter 50 Case Study I:“Synthesis” by Guerino Mazzola
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- Ch Chapter 51 Object-Oriented Programming in OpenMusic
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- Ch Chapter 52 Historical and Theoretical Prerequisites
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- Ch Chapter 53 Estimation of Resolution Parameters
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- Ch Chapter 54 The Case of Counterpoint and Harmony
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- Ch Chapter 6 Denotators
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- Ch Chapter 7 Local Compositions
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- Ch Chapter 8 Symmetries and Morphisms
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- Ch Chapter 9 Yoneda Perspectives
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Persistent link: https://EconPapers.repec.org/RePEc:spr:sprbok:978-3-0348-8141-8
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DOI: 10.1007/978-3-0348-8141-8
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