Teaching Cultural Economics
Edited by Trine Bille (),
Anna Mignosa and
Ruth Towse
in Books from Edward Elgar Publishing
Abstract:
Teaching Cultural Economics is the first book of its kind to offer inspiration and guidance for teaching cultural economics through short chapters, a wide scope of knowledge and teaching cases by experienced teachers who are expert in the topic.
Keywords: Economics and Finance; Teaching Methods (search for similar items in EconPapers)
Date: 2020
ISBN: 9781788970730
References: Add references at CitEc
Citations: View citations in EconPapers (5)
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https://www.elgaronline.com/view/edcoll/9781788970730/9781788970730.xml (application/pdf)
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Chapters in this book:
- Ch 1 Introduction , pp 1-2
- Trine Bille, Anna Mignosa and Ruth Towse
- Ch 2 Teaching cultural economics , pp 3-9
- Ruth Towse
- Ch 3 Cultural economics – in research and teaching , pp 10-19
- Trine Bille
- Ch 4 Why a(nother) book on cultural economics? , pp 20-24
- Anna Mignosa
- Ch 5 My approach to teaching cultural economics: Why, how, what? , pp 25-26
- FranÒ«oise Benhamou
- Ch 6 Teaching cultural economics: The perspective of a decade , pp 27-40
- Bruce Seaman
- Ch 7 Economic arguments for public support of arts and culture , pp 42-50
- Trine Bille
- Ch 8 Cultural value and economic value in arts and culture1 , pp 51-57
- Patrycja Kaszynska
- Ch 9 Performance assessment in cultural institutions , pp 58-68
- Luis César Herrero and MarÃa José del Barrio-Tellado
- Ch 10 Economic impact studies , pp 69-77
- Trine Bille
- Ch 11 Tax incentives for the cultural sector , pp 79-85
- Sigrid Hemels
- Ch 12 Tax incentives for international giving to the cultural sector , pp 86-90
- Renate Buijze
- Ch 13 Philanthropy , pp 91-98
- Luigi Di Gaetano and Isidoro Mazza
- Ch 14 The economics of crowdfunding , pp 99-104
- FranÒ«oise Benhamou
- Ch 15 Artists earnings and labour markets1 , pp 106-114
- Trine Bille
- Ch 16 Contracts for creators and performers in the creative industries , pp 115-121
- Ruth Towse
- Ch 17 Busking as a source of income , pp 122-128
- Samuel Cameron
- Ch 18 Creators and performers earnings from copyright , pp 129-139
- Ruth Towse
- Ch 19 Superstars , pp 140-147
- Luc Champarnaud
- Ch 20 Demand for cultural goods: Key concepts and a hypothetical case study , pp 149-156
- Bruce Seaman
- Ch 21 Consumer theory, market segmentation and audience research on cultural goods , pp 157-165
- Victoria Ateca-Amestoy
- Ch 22 Consumer behaviour in the performing arts , pp 166-174
- Andrea Baldin
- Ch 23 Digital consumption of cultural goods and services , pp 175-181
- Jordi Mckenzie
- Ch 24 Strategies for and experiences of audience development , pp 182-188
- Egil Bjørnsen
- Ch 25 Big Data: The new avenue for measuring cultural consumption? , pp 189-196
- Lydia Deloumeaux
- Ch 26 Artificial intelligence and cultural creation , pp 198-203
- Joëlle Farchy and Juliette Denis
- Ch 27 Digitization in museums , pp 204-213
- Trilce Navarrete
- Ch 28 Paying for digital music , pp 214-219
- Christian Handke
- Ch 29 The economics of e-books , pp 220-224
- Françoise Benhamou
- Ch 30 BBC3 goes digital , pp 225-228
- Ruth Towse
- Ch 31 Measuring the creative economy , pp 230-237
- Hasan Bakhshi
- Ch 32 Art at the crossroads between creativity, innovation, digital technology and business, a case study , pp 238-243
- Elisabetta Lazzaro
- Ch 33 Art galleries as market makers , pp 244-252
- Paolo Di Caro and Isidoro Mazza
- Ch 34 Film economics , pp 253-257
- Tylor Orme and Darlene C. Chisholm
- Ch 35 Cinema economics , pp 258-261
- Tylor Orme and Darlene C. Chisholm
- Ch 36 Intangible cultural heritage , pp 262-267
- Kazuko Goto and Anna Mignosa
- Ch 37 The economics of craft , pp 268-274
- Kazuko Goto and Anna Mignosa
- Ch 38 Conservation of historical buildings: The rehabilitation of the Benedettini Monastery in Catania , pp 275-281
- Giacomo Pignataro and Ilde Rizzo
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