Art and Society

2022 - 2026

From Paradigm Academic Press
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Volume 3, issue 6, 2024

The Aesthetics of Kaiseki: The Cultural and Philosophical Significance of Food Presentation in Japanese Fine Dining pp. 1-7

Jessica C. Tanaka

The Construction of Religious Symbolic Spaces and the Generation of Psychological Fear in The Conjuring Series pp. 8-17

Haruto Nakamura

Textile Product Innovative Design: The Practical Exploration of Integrating Fashion with Sustainable Development pp. 18-25

Guoxing Chen

Liu Zhou’s Rubbing-Paintings: Antiquarianism in Qing Dynasty, Artistic Significances, and Pictorial Inventions pp. 26-35

Haochen Bai

Beautiful, Sexual, and Unimportant: The Situation of Female Inside and Outside the Game pp. 36-42

Qingxian Chang

An Examination of the Link Between British Masculinity, Socioeconomic Class, and Male Dressing Throughout Historical Periods pp. 43-53

Saisai Zhuang

Research on Ancient Chinese Painting: ‘The Star Deity Kui Xing Marks the Top Scholar’ Illustration in the ‘Infant Play’ Images pp. 54-59

Ganjun Shen

The Role of Visual Narratives in Representing Female Identity and Emotions in Little Women (2019) pp. 60-67

E. C. Monteverdi

Volume 3, issue 5, 2024

Comparative Analysis of Biblical Statements and Contemporary Science Views pp. 1-8

Alexander Chinago Budnukaeku

Using Interactive Design to Support the Reconstruction of Cultural Identity and Community Necessitated by Migration pp. 9-20

Zichong Lu

Soundscape Composition in the Framework of Cognitive Systems pp. 21-31

Bowen Wu

Systemic Perspective on Companies and the Digital Transformation: A Prototypical Methodological Approach as a Solution to Complex Business Problems pp. 32-38

Martin Neuendorf and Maximilian Wolf

Predictive Modelling Using Museum Data pp. 39-50

Xinrui Li

Investigation of Features Influencing on the Artworks of African American Female Artists Between 1960s and 2000s pp. 51-71

Duofei Cui and Yining Guo

Investigating the Relationship Between Dance Flow and Improvisation pp. 72-78

Yi Gang and Bi Zhang

How Does Any One Film Explore Moral Problems Associated with Choice? pp. 79-82

Xinye Song

Commercialization of Hip-Hop Culture and the Evolution of Youth Consumption Patterns from Symbols of Rebellion to Fashion Trends pp. 83-88

Marcus Lee

Imperatives Under Chinese Monochrome Art: Revisiting “Magiciens de la Terre” pp. 89-94

Haochen Bai

Volume 3, issue 4, 2024

Flying Buttresses and the Artistic Expression of Vertical Ambition in Gothic Church Architecture pp. 1-12

Lavinia D. T.

Symbolic Use of Color in Narrative Montage and Its Impact on Temporal and Spatial Transitions pp. 13-19

Sabina V. Fenwick

The Effect of Music Theory in Hollywood Film Scoring pp. 20-39

Minqi Shi

The Role of Art History Education in Developing Critical Thinking Skills — Take the Renaissance as an Example pp. 40-44

Zhuoran Gong

Exploring Ecological Art on the Basis of Marcuse’s Ecological Aesthetic Thought pp. 45-49

Yin Lin and Yang Liu

Visual Depictions and Narrative Functions of Achilles’ Death in Homer’s The Iliad pp. 50-58

Evander J. Cromwell

The Study of Liu Kang’s Comic Art: Centered on the Chop Suey pp. 59-69

Yuxun Zhou

Optimization Strategies for Chinese-English Mixed Typography in Urban Spaces Based on User Reading Experience pp. 70-75

Qin Yue

A Study on the Communication Modes and Characteristics of Cultural Innovation Symbols Under the Meta-Media Context pp. 76-81

Tao Zhou and Qianru Chen

Art Aesthetic and Innovation Research on the Design of Car pp. 82-85

Kedi Wang

Research on the Interface Design of Youth Social APP Based on User Experience — A Case Study of Design Project “LOOK” pp. 86-96

Haoyue Zhang

Development and Prospects of Fourth-Generation Houses in China pp. 97-99

Xinyi Li

Volume 3, issue 3, 2024

Tradition Unveiled: A Comparative Exploration of Kelantan and Shaanxi Shadow Puppet Craftsmanship pp. 1-12

Cheng Xiaochun and Musdi bin Hj. Shanat

Research Report of the Creative Inspiration of Oil Painting Landscape in Northwest China pp. 13-25

Jiang Qi Ph.D.

Blaze and Sublime — A Preliminary Study on the Aesthetic Characteristics of Red Tangka pp. 26-31

Jia Sun

Multilingual Signage Typography in China Urban Information System pp. 32-40

Yinghui Zhang

Death and Transcendence: Starting from Caspar David Friedrich’s Images of Oak Trees pp. 41-49

Ning Ma

World, Symbol, Gaze pp. 50-60

Zhuang Qi

Artistic Expressions in Tuareg Jewelry of Niger: Design, Craftsmanship, and Cultural Significance pp. 61-69

Amina Ibrahim Maïga and Abdoulaye Harouna

Analysis of Technological Development and Enhancement in Modern Film Noir pp. 70-73

Yingqi Zhang

How Commercialized Festivals Affect the Transmission of Traditional Religious Rituals: A Case Study of the Gion Matsuri in Kyoto pp. 74-84

H. Yamamoto and J. R. Collins

Research on Consumer Needs of LINE Brand Based on Internet Brand Cultural Code and Touchpoint Design Theory pp. 85-96

Yi Sheng

Modern Dance “Body – Mind Teaching Method” Rooted in National Culture pp. 97-101

Min Yuan

Volume 3, issue 2, 2024

Impact of Street Photography on Social Awareness in Nairobi, Kenya pp. 1-7

Udo Kariuki, Etenesh Okafor and Olalekan Abioye

Building Suspense: A Critical Examination of Foreshadowing Devices in TV Series Opening Credits pp. 8-13

Rorie Franklin

Innovative Applications of Intangible Cultural Heritage: The Inheritance of Manchu Embroidery in Modern Clothing Design pp. 14-18

Yingjian Xu

An Archaeological Perception on the Evolving Art of Chinese Calligraphy: Social and Cultural Significance pp. 19-24

Boqianshi Zhang

Symbolism and Psychological Depth in Fyodor Dostoevsky’s Crime and Punishment and Its Influence on Modern Literature pp. 25-29

Anatoly Ivanovich Petrov

Exploring the Narrative Structure of Postmodern Narration and Temporal Loops in David Mitchell’s Cloud Atlas pp. 30-35

Corbin Malcom Toft

School Bullying Experienced by Chinese Migrant Children in Urban Schools and Its Intervention Strategies pp. 36-40

Jingya Wang

Utilizing Technological Innovations and Service Design to Foster Emotional Well-Being Among Individuals with Cognitive Disorders pp. 41-48

Shumin Fan

Addressing Mental Health Challenges Among Overseas Chinese Students: Fostering Belonging and Community Support pp. 49-52

Zhihui Yang

Volume 3, issue 1, 2024

Integrating Miao Traditional Elements into Chinese Figure Painting: Exploring Significance and Cross-Cultural Exchange pp. 1-12

Liu Peipei and Yakup bin Mohd Rafee

Harmony Teaching Research — Implication for Music Education pp. 13-44

Anqi Chen

The Influence of African Rhythms on Modern Music: A Case Study of Afrobeat in Nigeria pp. 45-52

Tariku Ayodele

Temporal Journeys and Human Perception: Analyzing Nonlinear Narratives and Scientific Fantasy in the Film Arrival pp. 53-59

Norris Earl Buckley

Crossing Boundaries: Shock Effect, Optical Unconscious and Messianic Time in Theo Angelopoulos’s Cinematic Language pp. 60-68

Zixi He

Rebels with Shackles: The Role and Representation of Claude Cahun in Surrealism Movement pp. 69-80

Keni Li

The Expressionist Characteristics of Chinese Local Oil Painting Integrating the Freehand Brushwork of Traditional Chinese Painting pp. 81-88

Limin Fan

Conveying Spirit Through Form: An Exploration on the Shape Symbols of Foshan Awakening Lion Head pp. 89-100

Zhan Sudan and Wan Jamarul Imran Bin Wan Abdullah Thani

Feminist Interpretations of Isabel Allende’s The House of the Spirits pp. 101-105

Sarah Marshall

Yi Lacquerware Artistic Characteristics of Modern Art Design Applications pp. 106-115

Zhao Qiqi and Wan Jamarul Imran bin Wan Abdullah Thani

Yunwei in Nakhi Ethnic Minority Music: Shift from Gongche Notation and Oral Transmission to Simplified Notation Starting 1970s pp. 116-125

Ziyue Yang