Dishonesty under Scrutiny
Jeroen van de Ven () and
Marie Claire Villeval
No 8638, IZA Discussion Papers from Institute of Labor Economics (IZA)
Abstract:
We investigate how different forms of scrutiny affect dishonesty, using Gneezy's (2005) deception game. We add a third player whose interests are aligned with those of the sender. We find that lying behavior is not sensitive to revealing the sender's identity to the observer. The option for observers to communicate with the sender, and the option to reveal the sender's lies to the receiver also do not affect lying behavior. Even more striking, senders whose identity is revealed to their observer do not lie less when their interests are misaligned with those of the observer.
Keywords: deception; lies; dishonesty; social image; experiment (search for similar items in EconPapers)
JEL-codes: C91 D83 (search for similar items in EconPapers)
Pages: 34 pages
Date: 2014-11
New Economics Papers: this item is included in nep-cbe, nep-exp, nep-hpe and nep-soc
References: View references in EconPapers View complete reference list from CitEc
Citations:
Published - published in: Journal of the Economic Science Association, 2015, 1, 86-99
Downloads: (external link)
https://docs.iza.org/dp8638.pdf (application/pdf)
Related works:
Journal Article: Dishonesty under scrutiny (2015) 
Working Paper: Dishonesty under scrutiny (2015) 
Working Paper: Dishonesty under scrutiny (2014) 
Working Paper: Dishonesty under scrutiny (2014) 
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:iza:izadps:dp8638
Ordering information: This working paper can be ordered from
IZA, Margard Ody, P.O. Box 7240, D-53072 Bonn, Germany
Access Statistics for this paper
More papers in IZA Discussion Papers from Institute of Labor Economics (IZA) IZA, P.O. Box 7240, D-53072 Bonn, Germany. Contact information at EDIRC.
Bibliographic data for series maintained by Holger Hinte ().