Journal of Digital Media Management

2012 - 2026

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Volume 6, issue 4, 2018

Editorial pp. 316-317

Simon Beckett

Core DAM + more DAM: One company’s attempt to integrate digital asset management into organisational DNA pp. 318-326

Michael Shattuck and Caroline Gardner

Case study: Digitising Cleveland Museum of Art history one negative at a time pp. 327-338

Susan Hernandez

Migrating to a virtual environment pp. 339-346

John Mckenna and Jason Marshall

Digital asset management and libraries, archives and museums: Separation and convergence pp. 347-356

Helen Hockx-Yu

Efficient appraisal and processing of disk images of legacy digital storage media at the Canadian Centre for Architecture pp. 357-369

Tim Walsh

How machine learning can help solve the Big Data problem of video asset management pp. 370-379

Aaron Edell

Taxonomies and metadata for digital asset management pp. 380-387

Heather Hedden

Updating production workflows and adapting systems: Scaling Omeka to meet the needs of a larger-scale archival digital project pp. 388-397

Haley Antell, Joe Corall and Virginia Dressler

Back to the future: Digitising orphaned VHS collections at the University of Cincinnati College of Design, Architecture, Art, and Planning Library pp. 398-407

Gina Armstrong

Volume 6, issue 3, 2018

Editorial pp. 213-214

Simon Beckett

Moving to the cloud: The state of the art for cloud-based production pipelines pp. 215-230

Julie M. Mcdonald, Corban Gossett and Mac Moore

Describing a visual universe: (Re)building consistent metadata standards for online photography collections pp. 231-240

Paula Jeannet Mangiafico

The changing nature of media and entertainment workflows pp. 248-254

Joan Wrabetz and Erik Weaver

Adding emulation functionality to existing digital preservation infrastructure pp. 255-264

Euan Cochrane, Jonathan Tilbury and Oleg Stobbe

IMF-compliant media asset management and workflows pp. 265-277

Julian Fernández-Campón

Managing data growth from audiovisual digitisation at the University of North Carolina at Chapel Hill: A case study pp. 278-284

Erica Titkemeyer

‘Eyes on the Prize’: Preservation to dissemination pp. 285-294

Jim Hone, Irene E. Taylor, Emily Halevy and Nadia Ghasedi

Finding the balance: Modelling successful workflows for digital library collections pp. 295-311

Emily Frieda Shaw, Cristela Garcia-Spitz, Molly Bragg, Kat Hagedorn and Emily Porter

Volume 6, issue 2, 2017

Editorial pp. 116-117

Simon Beckett

Food for thought: How enterprise taxonomy powers search and creativity at America’s Test Kitchen pp. 118-125

Ian Matzen

Digital asset management: Modernising infrastructure and processes pp. 126-139

Tansel Adacan, Maria Vasiliev and Alex Mcgillicuddy

Workflow guidelines for digital content preservation: A snapshot of current practice pp. 140-152

Alissa Matheny Helms and Jody L. Deridder

Facilitating preservation through collaboration: Harmonising practices across university departments pp. 153-160

Heidi Kelly and Nicholas Homenda

Looking at linked open data from a digital asset management perspective pp. 161-173

Cory Lampert

Digital asset management governance in the real world pp. 174-181

Mark Leslie

Building strategic alliances to support advocacy and planning for digital preservation pp. 182-194

Erin Baucom, Tammy Troup, Conor Cote and Sara Mannheimer

Project portfolio management at Northwestern University Libraries: Developing an innovative solution to managing project life cycles pp. 195-204

Carolyn Caizzi, Jennifer B. Young and Dan Zellner

Volume 6, issue 1, 2017

Editorial pp. 4-5

Simon Beckett

File delivery automation: The final frontier? pp. 6-21

Chris Lennon and Clyde Smith

Semantic data: It cannot be simpler pp. 22-35

Jean-Pierre Evain

Accessible preservation on a budget: One library’ cost-effective approach to producing and preserving quality digital content pp. 36-51

David Mindel

Template-driven titling and graphics workflows for multiplatform distribution pp. 52-64

Scott Matics and Todor Fay

Streamlining digital archiving workflows at the Bentley Historical Library pp. 65-77

Max Eckard and Dallas Pillen

How one creative agency used metadata to unlock value for its clients pp. 78-85

Jillian Shapiro

Funding a future for digital collections at the University of Maryland Libraries pp. 86-94

Robin C. Pike

From digital repositories to the library catalogue: Two workflows for transforming metadata pp. 95-117

Amy Leigh Allen, Deborah E. Kulczak and Mary A. Gilbertson

Volume 5, issue 4, 2017

Editorial pp. 296-297

Simon Beckett

The business and technical challenges of forensic watermarking for ultra-high definition pp. 298-309

Eric Diehl

Metadata as a value multiplier in sports production: Case study of Production House Werne pp. 310-317

David Schleifer

Building a 21st century archive: Migrating and providing access to the Fortunoff Video Archive for Holocaust testimonies pp. 318-325

Kevin L. Glick, Rebecca Hirsch and Stephen Naron

The impact of ‘smart content’ and metadata from creation to distribution pp. 326-335

Diane Burley and Nancy Silver

Creating a trove of digital assets at Facing History and Ourselves pp. 336-351

Eva Radding and Karl Facredyn

Building semantic biomedical/scientific publishing classification systems in the context of both publishing and centralised document management pp. 352-363

Kurt Cagle

Audiovisual media is not an island: How relating paper and media collections can enhance discoverability pp. 364-377

Stephanie Sapienza

A legacy of publications: Case study of the NIST Technical Series publications digitisation project pp. 378-385

Katelynd Bucher

VidAngel: Consumer choice, media law and the future of content flexibility pp. 386-399

Scott D. Roberts and Russell E. Rains

Volume 5, issue 3, 2017

Editorial pp. 196-197

Simon Beckett

Disaster recovery of media archives pp. 198-208

Grant Nodine

The file factory: The big video revolution pp. 209-214

Tim Napoleon

Tools and technologies for enhancing access to audiovisual archives: The Singapore journey pp. 215-227

Lai Tee Phang and Wai Yee Soh

Incorporating education standards into digital collections' metadata: A case study pp. 228-238

Laura Sheets and Jessica Short

Smart ways to ensure a glitch-free live video streaming experience pp. 239-247

Joe Arena

Maximising efficiency and standardisation in digitisation at University of Houston Libraries: A programme-based vs project-based approach pp. 248-258

Annie Wu and Drew Krewer

Designing and building the post-analogue audiovisual archive pp. 259-274

Jan Müller

The revenant: Creating access to legacy card catalogues pp. 275-284

Bethany Scott and Emily Vinson

From analogue to digital: The evolutionary design of the C-SPAN Archives pp. 285-292

Robert X. Browning

Volume 5, issue 2, 2016

Editorial pp. 96-97

Simon Beckett

Managing the assets and metadata in the ITV archive: A strategy led by content rights pp. 98-107

Heather Powell

Transitioning to the Big Video Workflow: How to build high-performance video workflows using media asset management pp. 108-119

Rahul Bhargava

The Cabrinety-NIST Project: Preserving the legacy software media found in the Stephen M. Cabrinety Collection in the History of Microcomputing, c. 1975–1995 pp. 120-132

Charlotte C. Thai and Douglas White

Beyond oral history: Using the Oral History Metadata Synchronizer to enhance access to audiovisual collections pp. 133-150

Craig Breaden, Callie Holmes and Alex Kroh

Frame-by-frame: The Ephemeral Films Project pp. 151-162

Lindsay Zarwell

Creating a digital and physical corporate archive: Case study of a national restaurant chain pp. 163-168

Mindy Carner

Issues in academic library streaming video pp. 169-181

Deg Farrelly

Processing film collections labelled in non-Latin alphabets: The Indian cinema collection pp. 182-190

Spencer Churchill

Volume 5, issue 1, 2016

Editorial pp. 4-5

Simon Beckett

Digital asset management is not software or a system, but how to do business pp. 6-11

Beth Goldstein

The Wellcome Library Collaborative Mental Health Digitisation Project: Lessons learned to date pp. 12-21

Emma Hancox, Rioghnach Ahern and Dave Thompson

Content re-monetisation: How to have your cake and eat it too pp. 22-34

Venu Vasudevan, Myungcheol Doo, Faisal Ishtiaq and Tony Braskich

Audio-visual enterprise at a regional academic archive: Case study of EXTRA pp. 35-45

Jessica Breiman, Tawnya Keller and Molly Rose Steed

A museum goes meta: Initiating enterprise content management at the Minneapolis Institute of Art pp. 46-61

Frances Lloyd-Baynes and Joshua Lynn

Methods and systems for cross-channel media asset management processing and delivery pp. 62-69

Ariel Nishri

Beyond traditional art: Strategies for the preservation of digital art pp. 70-75

Carmen Cowick

Open Oregon Digital: Transforming metadata for the semantic web pp. 76-92

Julia Simic and Sarah Seymore