Journal of Digital Media Management

2012 - 2025

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Volume 3, issue 4, 2015

Editorial pp. 276-277

Robert Tamplin

Digital asset management at a Fortune 500 retailer: The complicated dynamic of psychology, power culture and information governance pp. 278-287

Emily Kolvitz

Visual resources and copyright compliance: A case study pp. 288-296

Vicky Brown

The mystery of the missing metadata (or the importance of preserving embedded metadata in an imaging workflow): Part 1 pp. 297-302

David Riecks

Drowning in digital assets pp. 303-308

Gordon Walsh and Sara E. James

Information management approaches to digital asset management: A case study in success and failure pp. 309-319

Katharine Schopflin

Research data management: An approach from a modern university with a growing research portfolio pp. 320-328

Alistair Fitt, Rowena Rouse and Sarah Taylor

DAM taxonomy and metadata in retail: From what makes DAM tick to what gets them to click pp. 329-341

Jeannine A. Bartlett

Getting to ROI: Rights metadata and the smart content life cycle pp. 342-348

Edward Klaris

The metadata maturity model pp. 349-354

John Horodyski

`Practical digital preservation — A how-to guide for organisations of any size;` by Adrian Brown pp. 355-356

Michael Doane

Volume 3, issue 3, 2015

Editorial pp. 188-189

Robert Tamplin

Out of chaos comes order: Implementing a trusted digital repository in the Webster Institute for the History of Astronomy at the Adler Planetarium pp. 190-201

Lauren Boegen

Case study: Transitioning to a digital video workflow pp. 202-206

Andrea Wills

The DAM copyright conundrum pp. 207-221

Anne M. Young and Tascha Mae Horowitz

5th Kind and Marvel: How studios increase efficiency, reduce costs and improve quality of content and products pp. 222-229

Stephen Cronan

Bridging the gap: Using cloud services to redefine the digital supply chain pp. 230-240

Albert Lai

Semantics in the Library of Babel (with hobbits) pp. 241-248

Kurt Cagle

Transforming a glass negative collection into a digital asset through collaborative effort pp. 249-260

Vicki Sipe

`Linked Data for Libraries, Archives and Museums: How to Clean, Link and Publish your Metadata;` by Seth van Hooland and Ruben Verborgh pp. 261-266

Andrew Weidner and Michael Doane

Volume 3, issue 2, 2014

Editorial pp. 92-93

Daryn Moody

Media and the digital continuum pp. 94-101

Lincoln Wallen

Miramax and FilmTrack: Implementing an SaaS contract and rights management platform pp. 102-108

Denise Evans and Thomas Coleman

Archnet 2.0: Building a new asset management system for MIT’s online architectural library of the Islamic world pp. 109-116

Andrea Schuler

Innovating art history: The story of an open source project that transformed teaching with images in higher education pp. 117-129

Grace Barth and Kevin Hegg

Managing digital asset metadata: The value of flexible metadata models pp. 130-140

Demian Hess

The case for a marketing content hub pp. 141-157

Tom De Ridder and Tim Pashuysen

Text analytics for news and social media: The development of a cloud-based marketplace for text analytics pp. 158-170

Ian Roberts

Digital asset management at Diageo plc pp. 171-174

Stephen Mckillop

Social media advocacy: Pinterest as a marketing tool for special collections libraries pp. 175-178

Leslie Vega and Jean Green

`Johns Hopkins Guide to Digital Media;` Edited by Marie-Laure Ryan, Lori Emerson and Benjamin J. Robertson pp. 179-180

Romney Whitehead

Volume 3, issue 1, 2014

Editorial pp. 4-6

Daryn Moody

A better workflow for Comedy Central: How a cloud-based asset management system was built from scratch using open-source tools pp. 7-16

Kevin Gepford

Using DAM to protect and empower the UPS brand pp. 17-22

Kelly Pepper, Melanie Maxwell and Julie Lasalle

The art of enterprise asset management pp. 23-30

Mark Keller

Conducting a metadata audit in a broadcasting environment pp. 31-39

Linda Tadic

Building an effective tagging interface pp. 40-45

Peter Sowerbutts

Evaluating DAM vendors through customised scenario demonstrations while keeping stakeholders engaged pp. 46-53

Kristina Herz

Digital asset management at 3M pp. 54-61

John A. Demarco

Content meets big data: Driving personalised digital engagement through customer understanding pp. 62-71

Gabriele Dipiazza and Robin Hardy

Managing and optimising the creative production process pp. 76-79

Nish Patel and Desirae Odjick

`Marketing with Social Media — A LITA Guide;` Edited by Beth C. Thomsett-Scott pp. 80-87

Michael McGinnis, Lauren Dohr and James Rourke

Volume 2, issue 4, 2014

Editorial pp. 292-293

Daryn Moody

Rights management for a global magazine business: Strategy, standardisation and simplification pp. 294-297

Ellen Payne

Integrating DAM systems and processes within an organisation pp. 298-302

Jacqueline Contreras

Managing digital unpredictability and changing behaviour with reusable web-portable assets pp. 303-314

Andrew Lewis

Single source multi-channel marketing at Vitra pp. 315-322

Matthias Wesselmann

DAMification: The implications for users and vendors pp. 323-336

Dave Liu and Sriram Ramakrishnan

Appraising and acquiring born-digital collections: An introduction pp. 337-348

Gretchen Gueguen

Migrating assets and metadata from a legacy DAM system to a new one at Ubisoft pp. 349-358

Sarah Cervinski

Descriptive metadata in the music industry: Why it is broken and how to fix it — Part two pp. 359-374

Tony Brooke

Volume 2, issue 3, 2014

Editorial pp. 192-193

Daryn Moody

Good cop, bad cop, brand cop: Confessions of a global brand director pp. 194-202

Brant Long

Governance for digital asset management pp. 203-205

Dan Mcgraw

An interview with DAM industry veteran and taxonomist, Fran Alexander pp. 206-211

Fran Alexander

Transitioning the largest archive of animal sounds from analogue to digital pp. 212-220

Gregory F. Budney, William Mcquay and Michael S. Webster

DAMing digital assets: Moving digital assets at the Smithsonian Libraries into a trusted management system pp. 221-229

Doug Dunlop

Seven ways nonprofits can leverage digital asset management pp. 230-234

Kristy Smith and Brentine Stevens

Establishing and funding a digital asset management system at the University of Chicago pp. 235-243

Cynthia Mathews

Curation is also part of management: A case for considering digital curation in digital asset management pp. 244-250

Megan Mcgovern

The EN 15907 moving image metadata schema standard and its role in a digital asset management infrastructure pp. 251-262

Thelma Ross, Detlev Balzer and Stephen Mcconnachie

Descriptive metadata in the music industry: Why it is broken and how to fix it — Part one pp. 263-282

Tony Brooke

Volume 2, issue 2, 2013

Editorial pp. 100-101

Daryn Moody

Digital asset management system implementation at American Express Publishing pp. 102-110

Chad Beer and Holly Boerner

Metadata management in the entertainment industry: A case study from the studio perspective pp. 111-119

Jr Yasgur

A journey to enable digital end to end using DAM pp. 120-126

Carin Forman

BFI National Archive: Digital workflow for the preservation of digital cinema packages pp. 127-136

Charles Fairall, Helen Edmunds and Dylan Cave

Metadata overhaul: Upgrading metadata in the University of Houston Digital Library pp. 137-147

Santi Thompson and Annie Wu

Rights management: A focused approach pp. 148-159

Seth Earley and Robin Macrae

Taking a big data/NoSQL approach to digital asset management pp. 160-165

Matt Turner

In Pasteur’s own hand: The creation of a digital repository pp. 166-171

Mira Greene and Robert O Marlin

Fandom digitised: Establishing a digital collection of media fanzines at Texas A&M University pp. 172-184

Jeremy Brett

Volume 2, issue 1, 2013

Editorial pp. 5-6

Daryn Moody

Implementing a digital asset management strategy at RPA pp. 7-12

Stacey Mckeever

Implementing digital asset management for digital media support pp. 13-18

Reshma Kumar

The Tonight Show Starring Johnny Carson: A digital media archival project pp. 19-23

Barry Snyder and Jeff Sotzing

Results from the DAM Foundation Salary Survey: Who they are, where they work, what they do and how they are paid pp. 24-47

Elizabeth Ferguson Keathley

Turning information professionals into digital archivists for success in today’s world of digital asset management pp. 48-56

Rob Corrao and Phil Spiegel

Digitising a multi-language, multi-length audiovisual collection: The National Film Board of Canada experience pp. 57-69

Christian Ruel and Julie Dutrisac

Advancing media asset value: From storage to operational decisions pp. 70-73

Blake White

Content, control and collections: An interview with content strategist, Mike Doane pp. 74-77

Mike Doane

Determinants of distribution channel choice for online software licence purchases: A transaction cost perspective pp. 78-94

Pierre Hadaya and Dominique Deserres