Journal of Digital Media Management

2012 - 2026

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Volume 8, issue 4, 2020

Editorial pp. 284-285

Simon Beckett

The burden of 10K dreams: Key findings from a 10K film scanning test pp. 286-293

Anthony Matt and Laurel Warbrick

Paving the way: The American Museum of Natural History Research Library’s road to digital asset management pp. 294-309

Jennifer Cwiok and Iris Lee

Breaking down barriers: Stewardship of born-digital materials at Columbia University’s special collections repositories pp. 310-320

Dina Sokolova and Jane Gorjevsky

Digital transformation at media archives: Ten steps to becoming digital by design pp. 321-339

Jan Müller

BBC Cymru Wales’ digitisation and external partnership with the National Library of Wales pp. 340-350

Edith Hughes and Einion Gruffudd

Implementing a framework for digital preservation risk assessment and mitigation at the US National Archives pp. 351-360

Leslie Johnston

[Re]building the digitisation lab at the University of Tennessee Libraries: A framework for success pp. 361-377

Jeremy D. Moore and Louisa Trott

Volume 8, issue 3, 2020

Editorial pp. 192-193

Simon Beckett

Culture first, technology second: How to implement a digital asset management (DAM) initiative with no DAM system pp. 194-200

Jennifer Anna

Web archiving: Policy and practice pp. 201-214

Tori Maches and Marlayna Christensen

The Home Box Office, Inc. (HBO) Archive’s analogue-to-digital preservation pipeline: A case study examining the migration workflow of 2-inch Quadruplex to MXF AS-02 pp. 215-228

Charlotte Thai, Richard Steele and Ewell ‘Evan’ Echols

A team effort: Overcoming digital appraisal anxiety through communication and collaboration pp. 229-241

Alexa Hagen, Hyeeyoung Kim and Olga Virakhovskaya

Beyond crowdsourcing: Working with donors, student fieldworkers, and community scholars to improve cultural heritage collection metadata pp. 242-253

Andrea Payant, Becky Skeen, Anna-Maria Arnljots and Randy Williams

Collaboration through analysis: A journey in digital content management workflow analysis pp. 254-263

Andrea Green and Krista Sorenson

Audiovisual accessibility: Evaluating workflows for transcribing and captioning digital archival content pp. 264-274

Jeremy Myntti and Molly Rose Steed

Volume 8, issue 2, 2019

Editorial pp. 100-101

Simon Beckett

Sport media in a fully digital landscape: Re-engineering digital workflows and the content value chain pp. 102-112

Emanuele Balossino

Reinventing the Radio-Canada Archives to transform the business and pursue innovation in production pp. 113-124

Patrick Monette

Wheels of change: Migrating platforms and streamlining workflows pp. 125-137

Jessica Bright, Lindsay Mancuso, David Santiago and Nadia Taliceo

Lessons learned from a seven-year digitisation project at the National Institute of Standards and Technology pp. 138-144

Katelynd E. Bucher

How to run a repository: Open documentation of 15 years’ experience pp. 145-152

Erin Faulder and Jim Delrosso

When artificial intelligence and video metadata collide: A learning curve pp. 153-164

Mark Milstein

Enterprising over enterprise: How to grow a digital asset management system pp. 165-174

Matt Westrup

A content management case study: Migrating 10 years of library digital collection data at the North Carolina Digital Heritage Center pp. 175-184

Stephanie Williams, Lisa Gregory and Kristen Merryman

Volume 8, issue 1, 2019

Editorial pp. 4-5

Simon Beckett

One system to rule them all: The story of merging two inventory management systems pp. 6-14

Kathryn Claypool, Chuck Woodfill, Kirsten Martin, Charlotte Johnson, Eric Hoff, Jessica Storm and Andrea Kalas

Seeing the big picture: Developing workflows for digital moving image content pp. 15-28

Rachel Curtis and Laura Drake Davis

Holistic digital asset management: How a small team scales big at Showtime Networks pp. 29-36

Rebecca Lantz and Stephen Hunking

Mass digitisation systems and open source software: A viable combination? pp. 37-46

Etienne Marchand and Marc Leny

Audiovisual content description using semantic scene representation pp. 47-57

Juan-Antonio Pastor-Sánchez, Virginia Bazán-Gil and Manuel Escribano

From digital asset management to audience: Bringing content intelligence into the realm of business impact pp. 58-67

Randa Minkarah

The collection management of Latin American broadcast media from the end of the Cold War pp. 68-81

Luisa Fernanda Ordóñez Ortegón

Sustaining television news archives pp. 82-90

Clifford B. Anderson and Jim Duran

Volume 7, issue 4, 2019

Editorial pp. 300-301

Simon Beckett

The implementation of IMF at Sony Pictures pp. 302-306

Bill Baggelaar, Greg Geier and Ellen Goodridge

How to educate users on usage rights pp. 307-314

Jennifer Tyner

The Montreux Jazz Digital Project: From preserving heritage to a platform for innovation pp. 315-329

Alain Dufaux and Thierry Amsallem

Getting to success: A scenario-driven approach for selecting, implementing and deploying digital asset management systems pp. 330-338

Kara Van Malssen

Collecting born-digital material at the source: Acquisition strategies and lessons learned pp. 339-347

Laura Drake Davis, Anne Gant and Chew Tee Pao

The mission of sound archives in a post-analogue context pp. 348-356

Jan Müller

A human-centred design approach to digital asset management: User experience as a foundation for system-configuration design pp. 357-365

Mindy Carner

Providing digital access to newsfilm and news videotape content at the University of Georgia Libraries: A brief history pp. 366-373

Ruta Abolins

The who, what, why, which, where and when of quality in cultural heritage digitisation workflows pp. 374-387

Dru Parrish

Volume 7, issue 3, 2019

Editorial pp. 204-205

Simon Beckett

The power of key performance indicators: How aligning success metrics to company objectives elevated the importance of digital asset management at Pampered Chef pp. 206-213

Natalie Daller

Distributed asset management and the cloud for VICE Media pp. 214-220

David Schleifer

Content usage in an omni-channel marketing world pp. 221-233

Devi Gupta and Melissa Pauna

Now you can see (and track and manage) it: Incorporating streaming video content into ProQuest’s 360 KB pp. 234-245

Michelle Urberg

A shifting relationship: Digitisation standards and advances in display and capture technologies pp. 246-255

David Mindel

Semantic data: The challenge of live sport data pp. 256-267

Jean-Pierre Evain, Francesco Piva, Guillaume Rachez and Cédric Klein

Challenges in delivering digital content in archival and production environments pp. 268-278

Brittan Dunham and Candace Ming

Street art in the library: Transforming spray paint into a digital archive and virtual reality experience pp. 279-291

Amy J. Hunsaker and Laura Rocke

Volume 7, issue 2, 2018

Editorial pp. 104-105

Simon Beckett

How Coca-Cola went three-dimensional to revolutionise its package design workflow to save time, money and foster more creativity pp. 106-114

Benny Lee

Metadata quality at scale: Metadata quality control at the Digital Public Library of America pp. 115-126

Gretchen Gueguen

From lens to screen and everything in-between: Mastering the media supply chain by embracing service-oriented architectural approaches pp. 127-143

Nick Gold

Tools and workflows for bit-level digital preservation strategy at the University of Cincinnati pp. 144-152

Nathan Tallman and Linda Newman

Visually speaking: An expanded role for digital media management pp. 153-162

Peter Krogh

A camera-based approach for digitising a large-scale photographic negative collection pp. 163-173

Jeremy D. Moore and Todd C. Peters

The increasing importance of workflow automation for over-the-top publishing pp. 174-188

Andreas Kisslinger

The fringe benefits of change and the importance of re-envisioning workflows pp. 189-196

Shaula M. Stephenson

Volume 7, issue 1, 2018

Editorial pp. 4-5

Simon Beckett

Plan now or pay later: Sustainable design ideas for digital asset management pp. 6-14

Michael Gellner and David Diamond

Case study: Creating a fully accessible digital archive of the American Foundation for the Blind’s Helen Keller Collection pp. 15-23

Elizabeth Neal and Helen Selsdon

How content intelligence and machine learning are transforming media workflows pp. 24-32

Jay Yogeshwar and Ron Quartararo

Preservation metadata for DPX files: A case study pp. 33-45

Marjolein Steeman and Josefien Schuurman

The production log: A digital imaging capacity replication project pp. 46-55

Marcia Mcintosh and Shannon Willis

Multi-versioned media at scale pp. 56-67

Bruce Devlin

Lessons learned: Preserving oral histories of the Vietnam war pp. 67-75

Rachel Mandell

Transforming oral history content for the web using XML and XSL pp. 76-95

Chris Petersen and Ryan Wick