Journal of Digital Media Management

2012 - 2025

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Volume 7, issue 4, 2019

Editorial pp. 300-301

Simon Beckett

The implementation of IMF at Sony Pictures pp. 302-306

Bill Baggelaar, Greg Geier and Ellen Goodridge

How to educate users on usage rights pp. 307-314

Jennifer Tyner

The Montreux Jazz Digital Project: From preserving heritage to a platform for innovation pp. 315-329

Alain Dufaux and Thierry Amsallem

Getting to success: A scenario-driven approach for selecting, implementing and deploying digital asset management systems pp. 330-338

Kara Van Malssen

Collecting born-digital material at the source: Acquisition strategies and lessons learned pp. 339-347

Laura Drake Davis, Anne Gant and Chew Tee Pao

The mission of sound archives in a post-analogue context pp. 348-356

Jan Müller

A human-centred design approach to digital asset management: User experience as a foundation for system-configuration design pp. 357-365

Mindy Carner

Providing digital access to newsfilm and news videotape content at the University of Georgia Libraries: A brief history pp. 366-373

Ruta Abolins

The who, what, why, which, where and when of quality in cultural heritage digitisation workflows pp. 374-387

Dru Parrish

Volume 7, issue 3, 2019

Editorial pp. 204-205

Simon Beckett

The power of key performance indicators: How aligning success metrics to company objectives elevated the importance of digital asset management at Pampered Chef pp. 206-213

Natalie Daller

Distributed asset management and the cloud for VICE Media pp. 214-220

David Schleifer

Content usage in an omni-channel marketing world pp. 221-233

Devi Gupta and Melissa Pauna

Now you can see (and track and manage) it: Incorporating streaming video content into ProQuest’s 360 KB pp. 234-245

Michelle Urberg

A shifting relationship: Digitisation standards and advances in display and capture technologies pp. 246-255

David Mindel

Semantic data: The challenge of live sport data pp. 256-267

Jean-Pierre Evain, Francesco Piva, Guillaume Rachez and Cédric Klein

Challenges in delivering digital content in archival and production environments pp. 268-278

Brittan Dunham and Candace Ming

Street art in the library: Transforming spray paint into a digital archive and virtual reality experience pp. 279-291

Amy J. Hunsaker and Laura Rocke

Volume 7, issue 2, 2018

Editorial pp. 104-105

Simon Beckett

How Coca-Cola went three-dimensional to revolutionise its package design workflow to save time, money and foster more creativity pp. 106-114

Benny Lee

Metadata quality at scale: Metadata quality control at the Digital Public Library of America pp. 115-126

Gretchen Gueguen

From lens to screen and everything in-between: Mastering the media supply chain by embracing service-oriented architectural approaches pp. 127-143

Nick Gold

Tools and workflows for bit-level digital preservation strategy at the University of Cincinnati pp. 144-152

Nathan Tallman and Linda Newman

Visually speaking: An expanded role for digital media management pp. 153-162

Peter Krogh

A camera-based approach for digitising a large-scale photographic negative collection pp. 163-173

Jeremy D. Moore and Todd C. Peters

The increasing importance of workflow automation for over-the-top publishing pp. 174-188

Andreas Kisslinger

The fringe benefits of change and the importance of re-envisioning workflows pp. 189-196

Shaula M. Stephenson

Volume 7, issue 1, 2018

Editorial pp. 4-5

Simon Beckett

Plan now or pay later: Sustainable design ideas for digital asset management pp. 6-14

Michael Gellner and David Diamond

Case study: Creating a fully accessible digital archive of the American Foundation for the Blind’s Helen Keller Collection pp. 15-23

Elizabeth Neal and Helen Selsdon

How content intelligence and machine learning are transforming media workflows pp. 24-32

Jay Yogeshwar and Ron Quartararo

Preservation metadata for DPX files: A case study pp. 33-45

Marjolein Steeman and Josefien Schuurman

The production log: A digital imaging capacity replication project pp. 46-55

Marcia Mcintosh and Shannon Willis

Multi-versioned media at scale pp. 56-67

Bruce Devlin

Lessons learned: Preserving oral histories of the Vietnam war pp. 67-75

Rachel Mandell

Transforming oral history content for the web using XML and XSL pp. 76-95

Chris Petersen and Ryan Wick

Volume 6, issue 4, 2018

Editorial pp. 316-317

Simon Beckett

Core DAM + more DAM: One company’s attempt to integrate digital asset management into organisational DNA pp. 318-326

Michael Shattuck and Caroline Gardner

Case study: Digitising Cleveland Museum of Art history one negative at a time pp. 327-338

Susan Hernandez

Migrating to a virtual environment pp. 339-346

John Mckenna and Jason Marshall

Digital asset management and libraries, archives and museums: Separation and convergence pp. 347-356

Helen Hockx-Yu

Efficient appraisal and processing of disk images of legacy digital storage media at the Canadian Centre for Architecture pp. 357-369

Tim Walsh

How machine learning can help solve the Big Data problem of video asset management pp. 370-379

Aaron Edell

Taxonomies and metadata for digital asset management pp. 380-387

Heather Hedden

Updating production workflows and adapting systems: Scaling Omeka to meet the needs of a larger-scale archival digital project pp. 388-397

Haley Antell, Joe Corall and Virginia Dressler

Back to the future: Digitising orphaned VHS collections at the University of Cincinnati College of Design, Architecture, Art, and Planning Library pp. 398-407

Gina Armstrong

Volume 6, issue 3, 2018

Editorial pp. 213-214

Simon Beckett

Moving to the cloud: The state of the art for cloud-based production pipelines pp. 215-230

Julie M. Mcdonald, Corban Gossett and Mac Moore

Describing a visual universe: (Re)building consistent metadata standards for online photography collections pp. 231-240

Paula Jeannet Mangiafico

The changing nature of media and entertainment workflows pp. 248-254

Joan Wrabetz and Erik Weaver

Adding emulation functionality to existing digital preservation infrastructure pp. 255-264

Euan Cochrane, Jonathan Tilbury and Oleg Stobbe

IMF-compliant media asset management and workflows pp. 265-277

Julian Fernández-Campón

Managing data growth from audiovisual digitisation at the University of North Carolina at Chapel Hill: A case study pp. 278-284

Erica Titkemeyer

‘Eyes on the Prize’: Preservation to dissemination pp. 285-294

Jim Hone, Irene E. Taylor, Emily Halevy and Nadia Ghasedi

Finding the balance: Modelling successful workflows for digital library collections pp. 295-311

Emily Frieda Shaw, Cristela Garcia-Spitz, Molly Bragg, Kat Hagedorn and Emily Porter

Volume 6, issue 2, 2017

Editorial pp. 116-117

Simon Beckett

Food for thought: How enterprise taxonomy powers search and creativity at America’s Test Kitchen pp. 118-125

Ian Matzen

Digital asset management: Modernising infrastructure and processes pp. 126-139

Tansel Adacan, Maria Vasiliev and Alex Mcgillicuddy

Workflow guidelines for digital content preservation: A snapshot of current practice pp. 140-152

Alissa Matheny Helms and Jody L. Deridder

Facilitating preservation through collaboration: Harmonising practices across university departments pp. 153-160

Heidi Kelly and Nicholas Homenda

Looking at linked open data from a digital asset management perspective pp. 161-173

Cory Lampert

Digital asset management governance in the real world pp. 174-181

Mark Leslie

Building strategic alliances to support advocacy and planning for digital preservation pp. 182-194

Erin Baucom, Tammy Troup, Conor Cote and Sara Mannheimer

Project portfolio management at Northwestern University Libraries: Developing an innovative solution to managing project life cycles pp. 195-204

Carolyn Caizzi, Jennifer B. Young and Dan Zellner

Volume 6, issue 1, 2017

Editorial pp. 4-5

Simon Beckett

File delivery automation: The final frontier? pp. 6-21

Chris Lennon and Clyde Smith

Semantic data: It cannot be simpler pp. 22-35

Jean-Pierre Evain

Accessible preservation on a budget: One library’ cost-effective approach to producing and preserving quality digital content pp. 36-51

David Mindel

Template-driven titling and graphics workflows for multiplatform distribution pp. 52-64

Scott Matics and Todor Fay

Streamlining digital archiving workflows at the Bentley Historical Library pp. 65-77

Max Eckard and Dallas Pillen

How one creative agency used metadata to unlock value for its clients pp. 78-85

Jillian Shapiro

Funding a future for digital collections at the University of Maryland Libraries pp. 86-94

Robin C. Pike

From digital repositories to the library catalogue: Two workflows for transforming metadata pp. 95-117

Amy Leigh Allen, Deborah E. Kulczak and Mary A. Gilbertson