Journal of Digital Media Management

2012 - 2025

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Volume 11, issue 4, 2023

Editorial pp. 288-289

Simon Beckett

Whole-system preservation: The future of records transfers pp. 290-299

Klaus Rechert and Euan Cochrane

A digital search tool for VRT’s film collection pp. 300-309

Kathleen Bertrem, Marieke Lycke and Tom Vanderbiest

Reflections on digitising the tear sheets in the Walt Reed Illustration Archive pp. 310-323

Andrea Degener and Skye Lacerte

Reimagining access: Improving access to digital archives through participatory design pp. 324-333

Elise Co, Robert Dirig, Joshua Halstead, Maggie Hendrie and Todd Masilko

Lessons in outsourcing: Creating in-house digitisation infrastructure in Jewish heritage organisations pp. 334-340

Devora Geller and Jill Strykowski

Shrinking the world: Digitising the ‘world’s most experienced airline’ and creating an aviation portal for the Digital Public Library of America pp. 341-354

Gabriella Williams, Jacqueline Reid Wachholz, Leah Tams, Scott Williams and Adriana J. Millares

The TailoredMedia Project: Taming the data beast pp. 355-367

Christoph Bauer, Werner Bailer, Stefanie Größbacher and Peter Judmaier

Cross-functional workflows for digital projects in a small academic library: A case study pp. 368-382

Rebecca Fried, Amanda Greenwood and Corinne Chatnik

Volume 11, issue 3, 2023

Editorial pp. 196-197

Simon Beckett

From conception to reality: Implementing a global digital asset management system that improves workflows and protects children pp. 198-212

Micah Branaman, Laura Di Ciero, Daniel Mason and Leanne Pearl Tingson

Transformation of the content life cycle at Edrington — The home of exceptional spirits pp. 213-220

Megan De La Motte

Indexing with artificial intelligence: A case study of Asharq News pp. 221-228

Kathey Battrick

The importance of good-quality, user-focused metadata: How the Transport for London corporate archives benefit from voluntary standards and meaningful metadata pp. 229-241

Tamara Thornhill and Andrew Hyman

Leveraging digital asset management to go global pp. 242-247

James Kendley

Providing pageable access to born-digital materials at the Bancroft Library pp. 248-257

Christina Velazquez Fidler

Case study: Using the DiAGRAM tool for digital preservation pp. 258-270

David H. Underdown

History, technology and hard work: A field guide to digitising a large garment collection at a small institution pp. 271-283

Amanda Cacich, Marshall Lee, Laura Vavrosky and Dan Vinson

Volume 11, issue 2, 2023

Editorial pp. 100-101

Simon Beckett

A collaborative approach for the registration, deposit and digitisation of Flemish film heritage pp. 102-112

Brecht Declercq, Céline Vermeire, David Gruwez and Bobbie Noë

Developing a central, user-tested content hub at Cancer Research UK pp. 113-120

Thomas Alexander

Collaboration in isolation: Migrating legacy finding aids during a pandemic pp. 121-130

Brianna Gormly and Louise Lobello

Case study: How the Canadian Broadcasting Corporation is migrating a century’s worth of collections into a media asset management system pp. 131-140

Christine Cadotte and Rebecca Efrat

Building a transnational image database: Case study of the Dispersed Chinese Art Digitization Project digital collections pp. 141-150

Carol Ng-He

The importance of meaningful metadata for video archives and media asset management pp. 151-160

Spencer Wilson

The first heritage video stored on DNA: A case study on the future of digital storage pp. 161-170

Jan MüLler and Yasmin Meichtry

The process of developing a strategic plan for a special collections and university archives pp. 171-179

Mary Weppler-Van Diver

A role by any other name: A content analysis of digital asset management on library and archives job boards pp. 180-189

Dana Reijerkerk and Kristen J. Nyitray

Volume 11, issue 1, 2022

Editorial pp. 4-5

Simon Beckett

Artificial intelligence powered digital asset management: Current state and future potential pp. 6-17

Kristina Huddart

Applying new standards to old data: Wrangling metadata in a sports archive pp. 18-24

Rachel Mandell

Refining the process: An institutional approach to preparing projects for digitisation pp. 25-41

Marcia Mcintosh and Jacob Mangum

Designing elegant metadata pp. 42-53

Stephanie Lemieux and Romney Whitehead

Virtual exhibits and museums: How digital asset management rises to meet the challenges pp. 54-61

Dione Surdez

Reconsidering silos pp. 62-78

Tammy Troup, Heather M. Campbell, Chris Dieckman and Laura Sullivan

Using an IIIF as trunk approach to digital collections delivery: Case study of the Rising from the Ashes Oral History Project pp. 79-90

Mark Patrick Baggett and Emily Gore

Volume 10, issue 4, 2022

Editorial pp. 292-293

Simon Beckett

The language metadata table: Providing a single, unified language reference source for media and entertainment pp. 294-305

Yonah Levenson, Bruce Devlin, Eric Emeric and Sarah Nix

Is your digital asset management system fit for purpose? Common challenges that signal outgrowth and key questions to ask when upgrading pp. 306-313

Josh Van Dyk and Chris Leaman

Metadata for conservators: Overcoming obstacles to digitising conservation documentation pp. 314-322

Ryan Lieu

Finding one source of truth between multiple digital asset management platforms at Autodesk pp. 323-329

Sarah Britt, Kristen Ederer, Jacqueline Karpov and Rebeka Martin

Mote Marine Laboratory’s organisation-wide approach to digital asset management: A case study pp. 330-341

Alexis Crabtree and Jaime Fogel

Benchmarking digital preservation with the Digital Preservation Coalition’s Rapid Assessment Model: A case study pp. 342-349

Robin Dean and Lisa Lorenzo

Safety in numbers: Criteria for the mass digitisation of obsolete videotape recordings pp. 350-357

Charles Fairall

Opening up: The National Gallery of Art’s Wikimedia project pp. 358-367

Benjamin Zweig

Making collections more accessible and inclusive digitally during the COVID-19 pandemic pp. 368-384

Emma Hetrick

Volume 10, issue 3, 2022

Editorial pp. 204-205

Simon Beckett

Digital asset management without governance is asking for trouble pp. 206-214

Michelle Roell and John Horodyski

Cooperative models for digital archives pp. 215-226

Emily Zinger, Shaneé Yvette Murrain and Emma Thomson

Risk management for digital assets: Questions companies should be asking about their systems and workflow for asset management pp. 227-235

Nancy Mandowa

The e-commerce explosion: Rising to the challenge with digital asset management pp. 236-241

Matt Haws

Navigating from metadata disparities towards best practices: Analysis through crosswalking pp. 242-251

Jamie Patrick-Burns, Robin Haley and Owen C. King

Digital collection self-migration at Loyola Marymount University: Assessing platforms and managing implementation pp. 252-260

Jessea Young and Steph Gritz

The Museum of Obsolete Media: Tech evolution and the need for continuous data migration pp. 261-271

Joao Paulo Querette

Photographic regenerative interfaces pp. 272-283

Ram Shergill

Volume 10, issue 2, 2021

Editorial pp. 108-109

Simon Beckett

Lessons learned: Collaborating to digitise Yiddish-language collections at Cornell pp. 110-128

Barbara Morley, Steven Calco and Elizabeth Parker

Establishing an archive asset management system at the Sharjah Broadcasting Authority pp. 129-144

Jean-Christophe Kummer and Silvester Stöger

Building international partnerships for digitisation and preservation pp. 145-153

Rachel Deblinger, Jennifer Osorio, Sharon E. Farb and Todd Grappone

My TV lies over the ocean: The digitisation of France’s overseas heritage pp. 154-166

Geneviève Abadie, Brice Amouroux, Gérard Letienne and Sandrine Boulon

The digitisation and commercial licensing of local television news as a model for preservation and access: A case study pp. 167-176

Anna Esparza and Morgan Davis Gieringer

Artificial intelligence for a role change in television archives: The Atresmedia–Etiqmedia experience pp. 177-187

Eugenio López De Quintana and Antonio León Carpio

Overcoming barriers to audiovisual preservation in cultural heritage institutions pp. 188-199

Biz Maher Gallo and Sarah Mainville

Volume 10, issue 1, 2021

Editorial pp. 4-5

Simon Becket

Automation and integration are the keys to successful digital asset management pp. 6-19

Paul Murphy

Eighty years of literary audio archives at the Library of Congress: Preserving collections from the physical to digital pp. 20-35

Kristy Darby, Catalina Gómez, Anne Holmes, Marcus Nappier and Camille Salas

The Olympic World Feed Project: Searching, acquiring and preserving the international television signal of the Olympic Games from 1956 to 1988 pp. 36-52

Yasmin Meichtry and Isabel Sánchez

The Glastonbury New Bands Competition Collection at the British Library: Technical challenges of migrating an optical disk collection pp. 53-61

Tom Ruane

Validating media quality in a largescale outsourced media migration project: The second layer pp. 62-68

Christoph Bauer and Jörg Houpert

Badge drops and points galore: Crowdsourcing metadata at a public library archive pp. 68-80

Heidi Morse

The audible and the inaudible in a post-digitised world: Preserving both sound and object pp. 81-89

Lauren Walker

Discovering, describing and digitising CCTV: Challenges and attempts of making New York Chinatown’s community television archive accessible pp. 90-102

Klavier Jie Ying Wang