Journal of Digital Media Management

2012 - 2026

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Volume 10, issue 4, 2022

Editorial pp. 292-293

Simon Beckett

The language metadata table: Providing a single, unified language reference source for media and entertainment pp. 294-305

Yonah Levenson, Bruce Devlin, Eric Emeric and Sarah Nix

Is your digital asset management system fit for purpose? Common challenges that signal outgrowth and key questions to ask when upgrading pp. 306-313

Josh Van Dyk and Chris Leaman

Metadata for conservators: Overcoming obstacles to digitising conservation documentation pp. 314-322

Ryan Lieu

Finding one source of truth between multiple digital asset management platforms at Autodesk pp. 323-329

Sarah Britt, Kristen Ederer, Jacqueline Karpov and Rebeka Martin

Mote Marine Laboratory’s organisation-wide approach to digital asset management: A case study pp. 330-341

Alexis Crabtree and Jaime Fogel

Benchmarking digital preservation with the Digital Preservation Coalition’s Rapid Assessment Model: A case study pp. 342-349

Robin Dean and Lisa Lorenzo

Safety in numbers: Criteria for the mass digitisation of obsolete videotape recordings pp. 350-357

Charles Fairall

Opening up: The National Gallery of Art’s Wikimedia project pp. 358-367

Benjamin Zweig

Making collections more accessible and inclusive digitally during the COVID-19 pandemic pp. 368-384

Emma Hetrick

Volume 10, issue 3, 2022

Editorial pp. 204-205

Simon Beckett

Digital asset management without governance is asking for trouble pp. 206-214

Michelle Roell and John Horodyski

Cooperative models for digital archives pp. 215-226

Emily Zinger, Shaneé Yvette Murrain and Emma Thomson

Risk management for digital assets: Questions companies should be asking about their systems and workflow for asset management pp. 227-235

Nancy Mandowa

The e-commerce explosion: Rising to the challenge with digital asset management pp. 236-241

Matt Haws

Navigating from metadata disparities towards best practices: Analysis through crosswalking pp. 242-251

Jamie Patrick-Burns, Robin Haley and Owen C. King

Digital collection self-migration at Loyola Marymount University: Assessing platforms and managing implementation pp. 252-260

Jessea Young and Steph Gritz

The Museum of Obsolete Media: Tech evolution and the need for continuous data migration pp. 261-271

Joao Paulo Querette

Photographic regenerative interfaces pp. 272-283

Ram Shergill

Volume 10, issue 2, 2021

Editorial pp. 108-109

Simon Beckett

Lessons learned: Collaborating to digitise Yiddish-language collections at Cornell pp. 110-128

Barbara Morley, Steven Calco and Elizabeth Parker

Establishing an archive asset management system at the Sharjah Broadcasting Authority pp. 129-144

Jean-Christophe Kummer and Silvester Stöger

Building international partnerships for digitisation and preservation pp. 145-153

Rachel Deblinger, Jennifer Osorio, Sharon E. Farb and Todd Grappone

My TV lies over the ocean: The digitisation of France’s overseas heritage pp. 154-166

Geneviève Abadie, Brice Amouroux, Gérard Letienne and Sandrine Boulon

The digitisation and commercial licensing of local television news as a model for preservation and access: A case study pp. 167-176

Anna Esparza and Morgan Davis Gieringer

Artificial intelligence for a role change in television archives: The Atresmedia–Etiqmedia experience pp. 177-187

Eugenio López De Quintana and Antonio León Carpio

Overcoming barriers to audiovisual preservation in cultural heritage institutions pp. 188-199

Biz Maher Gallo and Sarah Mainville

Volume 10, issue 1, 2021

Editorial pp. 4-5

Simon Becket

Automation and integration are the keys to successful digital asset management pp. 6-19

Paul Murphy

Eighty years of literary audio archives at the Library of Congress: Preserving collections from the physical to digital pp. 20-35

Kristy Darby, Catalina Gómez, Anne Holmes, Marcus Nappier and Camille Salas

The Olympic World Feed Project: Searching, acquiring and preserving the international television signal of the Olympic Games from 1956 to 1988 pp. 36-52

Yasmin Meichtry and Isabel Sánchez

The Glastonbury New Bands Competition Collection at the British Library: Technical challenges of migrating an optical disk collection pp. 53-61

Tom Ruane

Validating media quality in a largescale outsourced media migration project: The second layer pp. 62-68

Christoph Bauer and Jörg Houpert

Badge drops and points galore: Crowdsourcing metadata at a public library archive pp. 68-80

Heidi Morse

The audible and the inaudible in a post-digitised world: Preserving both sound and object pp. 81-89

Lauren Walker

Discovering, describing and digitising CCTV: Challenges and attempts of making New York Chinatown’s community television archive accessible pp. 90-102

Klavier Jie Ying Wang

Volume 9, issue 4, 2021

Editorial pp. 284-285

Simon Beckett

Integrating cost and time metrics into media asset management workflows: Understanding the true cost of cloud storage for media archives pp. 286-296

Roy Burns

Artificial intelligence for content and context metadata retrieval in photographs and image groups pp. 297-304

Peter Fornaro and Vera Chiquet

Automating the packaging and ingest processes to preserve bulk digital collections pp. 305-315

David Cirella and Grete T. Graf

Five features in a digital asset management system you never knew you needed pp. 316-322

Marissa Masangcay

The Nixon Tapes in the digital age pp. 323-336

Cary Mcstay and Daniel Rodríguez

That tiny spur no one noticed: Unexpected results found when digitising audio recordings pp. 337-347

Stefano S. Cavaglieri and Gabriele Franzoso

Audio forensics and provenance analysis: Technologies for media verification and asset management pp. 348-366

Patrick Aichroth, Luca Cuccovillo and Milica Gerhardt

Selecting a collections management system: Considerations for information professionals pp. 367-375

Margot Note

Volume 9, issue 3, 2021

Editorial pp. 196-197

Simon Beckett

Case study: Integrating artificial intelligence metadata within Paramount’s digital asset management system pp. 198-208

Dony West, Caitlin Denny and Rebecca Ruud

The benefits of migrating content to the cloud: How mass tape-to-cloud migration services helped the Rock & Roll Hall of Fame preserve music history pp. 209-218

Kyle Evans and Jennie Thomas

Audiovisual piracy in the football industry pp. 219-223

Juan J. Rotger

Narration in digital archiving: Functional design in FINA’s media asset management digital catalogue pp. 224-231

Joanna Kaliszewska

Smart stacking of machine learning and semantic technologies in media management pp. 232-239

Sally Hubbard, Maureen Harlow and Athina Livanos-Propst

Using preservation action registries to automate digital preservation pp. 240-252

Jack O’Sullivan and Jonathan Tilbury

Applying business architecture to identify the need for a digital asset management solution: Case study of Pandora’s digital transformation journey pp. 253-261

Amrutha Suresh

IRENE audio preservation at the Northeast Document Conservation Center: Developing workflows and standards for preservation projects that use innovative technology pp. 262-278

Julia Hawkins and Bryce Roe

Digging for gold in the archive: Artificial intelligence is the treasure map pp. 279-284

Ethan Dreilinger

Volume 9, issue 2, 2021

Editorial pp. 101-102

Simon Beckett

Experience matters: How user experience provided a new direction for digital asset management at Amway pp. 103-116

Tracy Olmsted

Digital asset management at Lands’ End, Inc.: Past experiences, present challenges and future opportunities pp. 117-126

Richard Swaziek

Machine learning in the library: Developing an inter-departmental core solution to manage data pp. 127-140

Patrice-Andre Prud'Homme, Kay K. Bjornen and Phillip Doehle

Organisational taxonomy alignment project use case pp. 141-152

Mindy Carner and John Passmore

Leveraging the flexibility of Islandora to create a dual-use digital repository pp. 153-163

Alicia Esquivel, Tim Fluhr and Adam Strohm

Perfect strangers: Digital asset management and lean Six Sigma pp. 164-170

Beth Goldstein

How digital asset management can optimise next-generation retail experiences pp. 171-176

Danny Baranowski and Seshu Pandari

Managing privacy: A survey of practices in digital archives and libraries pp. 177-190

Virginia Dressler, Kelley Rowan and Rebecca Bakker

Volume 9, issue 1, 2020

Editorial pp. 4-5

Simon Beckett

The case for companywide enterprise digital asset management pp. 6-21

Preston Anderson and Jonathan Phillips

A Herculean task: Assessing digital content processes before a migration pp. 22-29

Hannah Stitzlein, Sidney Gao and James Van Mil

Normalising migration: Reacting to the failure of a digital preservation platform pp. 30-39

Todd Digby and Fletcher Durant

Building open source audiovisual collections management systems on Samvera pp. 40-50

Karen Cariani and Richard Green

A workflow for workflows: Case management at the University of Notre Dame Hesburgh Libraries pp. 51-62

Mikala Narlock and Peggy Griesinger

Ethics, sustainability and the challenge of digital curation for a real-time archive pp. 63-70

Katie Romabiles, Amanda Lanthorne, Arel Lucas and Lisa Lamont

MAPping metadata pp. 71-85

Margaret Mering and Harriet E. Wintermute

Warning sign: Building a sensitive content filter for historical news photography pp. 86-93

Eric Weig