Economia della Cultura

1997 - 2024

Current editor(s): Paolo Leon

From Società editrice il Mulino
Bibliographic data for series maintained by ().

Access Statistics for this journal.
Is something missing from the series or not right? See the RePEc data check for the archive and series.

2021, issue Speciale

Foreword pp. 1-4

Michela Marchiori

The impact assessment of CH interventions: main challenges and GAPs pp. 5-13

Olga Ioannou

SoPHIA model: the conceptual approach pp. 15-20

Mauro Baioni, Annalisa Cicerchia, Paola Demartini, Lucia Marchegiani, Michela Marchiori and Flavia Marucci

Towards the SoPHIA model: results from the case studies' analysis pp. 21-69

Rida Arif, Aron Weigl, Angela Wieser, Elia Vlachou, Henrik Zipsane, Paraic Mc Quaid, Christine Horn, Aleksandra Uzelac, Sanja Tišma, Suncana Franic, Nicholas Anastasopoulos, Hariklia Hari, Riva Lava and Mauro Baioni

The SoPHIA model and its implementation pp. 71-90

Rida Arif, Aron Weigl, Angela Wieser, Mauro Baioni, Paola Demartini and Michela Marchiori

SoPHIA social platform: a new community of practice pp. 91-96

Mercedes Giovinazzo, Antonio Gucciardo, Alberto Cerezo, Claudia Rosignoli, Elia Vlachou and Henrik Zipsane

Conclusions pp. 97-104

Annalisa Cicerchia, Ana Zuvela, Paola Demartini, Lucia Marchegiani and Michela Marchiori

References pp. 105-108

SoPHIA Consortium

List of researches pp. 109-110

SoPHIA Consortium

2021, issue 4

Nota introduttiva pp. 485-492

Celestino Spada and Pietro Antonio Valentino

Introductory note pp. 493-500

Celestino Spada and Pietro Antonio Valentino

Plus ça change. Another decade in cultural economics pp. 501-506

David Throsby

30 years later. A renewal of cultural economics? pp. 507-516

Pierre-Jean Benghozi and Françoise Benhamou

Cultural Heritage: dynamics and institutional knots pp. 517-532

Marco Cammelli

The Political Economy of the Media. A review and assessment pp. 533-540

Giuseppe Richeri

Cultural economics thirty years later pp. 541-550

Marco Causi

The evolution of the discipline in the articles of Economia della Cultura pp. 551-558

Fabio Bacchini and Roberto Iannaccone

The cultural enterprises in the last ten years pp. 559-564

Innocenzo Cipolletta

«In from the margins». The long way of culture economics in Italy pp. 565-574

Annalisa Cicerchia

After COVID-19, are livestream and metaverse the performing arts future? pp. 575-588

Jean Philippe Thiellay

For a theory of music economics pp. 589-602

Luigi Maria Sicca and Domenico Napolitano

UNESCO designations and local development: a cultural district perspective pp. 603-608

Enrico Bertacchini and Giovanna Segre

The role of banking foundations in funding culture and creativity pp. 609-614

Angelo Miglietta

Becoming and being Piero Angela pp. 615-631

Economia della Cultura

2021, issue 3

Nota introduttiva pp. 321-325

Annalisa Cicerchia and Antonio Taormina

Introductory note pp. 327-330

Annalisa Cicerchia and Antonio Taormina

Entertainment in the Storm. The impact in figures pp. 331-343

Annalisa Cicerchia and Sabrina Iommi

Up the courtain! The performig arts in the Covid-19 post-pandemic pp. 345-350

Carlo Fontana

Welfare reform and entertainment reorganization of laws pp. 351-361

Alessandra Carbonaro

Municipalities and live entertainment facing the Covid-19 and beyond pp. 363-371

Vincenzo Santoro

Digital platforms and the entertainment. A marriage to do pp. 373-384

Bruno Zambardino

Cultural Economics and 50 years of DAMS, Bologna pp. 385-393

Antonio Taormina

Revenues, costs and strategies of autonomous State museums pp. 395-419

Elena Alessandrini and Marco Causi

Notes for the Hearing of 8th Commission - Public Works, Communication - of the Senate of the Republic pp. 421-425

Giulio Enea Vigevani

«Dear Spectator, how do you feel?» A research on audiences and performing arts organisations through and after the lockdown pp. 427-433

Stefania Dal Cucco, Michela Rossato, Beatrice Sarosiek and Silvia Sette

Theatre as a live show and its changes during the pandemic. The case of Staged, a BBC product pp. 435-440

Jessica Camargo Molano

The performing arts sector in the European funds pp. 441-449

Andrea Pignatti

The Cultural Welfare from the idea to active policies focused on theatre. The ATER Foundation project Theater Syrup pp. 451-457

Patrizia Orsola Ghedini and Cira Santoro

Working on the border. Performing arts and social innovation in Italy and in the world. The Teatro dell’Argine experience pp. 459-467

Micaela Casalboni

The Paradox of Europe: Artistic Freedom, Democracy and Tolerance pp. 469-475

Ines Bettencourt da Camara, Natalie Giorgadze and Tere Badia

Ludovico Solima, Le parole del museo - Management, tecnologie digitali, sostenibilità pp. 477-478

Antonio Lampis

2021, issue 2

Introductory note pp. 151-156

Stefano Balassone and Celestino Spada

Introductory note pp. 157-162

Stefano Balassone and Celestino Spada

Challenged by technology: the audiovisual landscape and the evolving regulatory framework in Europe pp. 163-188

Jean Paul Simon and Pierre-Jean Benghozi

Between local and global. Television and audiovisuals production factors and audiences pp. 189-199

Stefano Balassone

Digital platforms business model: role, value and data management pp. 201-208

Giuseppe Richeri

The made in Italy imaginary in the digital platforms era pp. 209-216

Giovanni Cocconi

The Rai version 2.0: the uncertainties of technology pp. 217-226

Patrizio Rossano

Culture statistics at EU-level. Towards more information, visibility and harmonization pp. 227-237

Marta Beck-Domzalska

Public subsidies, quality and efficiency the case of Italian Theatres pp. 239-256

Eugenio Bini and Vincenzo Patrizii

The existing EU framework: a cornucopia pp. 257-265

Jean Paul Simon

The European Audiovisual Single Market and its paradoxical outco- mes. From Google’s monopoly of the online advertising to the Tokio 2021 Olympic Games become invisible pp. 267-284

Giacomo Mazzone

RAI License fee: raison d’être and events of a purpose tax pp. 285-300

Luciano Flussi

Italian music market’s transformation across streaming and new talents pp. 301-306

Enzo Mazza

Italian audiovisual production and digital platforms: great opportunities and some risk pp. 307-309

Giancarlo Leone

Paolo Baratta. Il Giardino e l’Arsenale. Una storia della Biennale pp. 311-312

Antonio Lampis

Annalisa Cicerchia. Che cosa muove la cultura. Impatti, misure e racconti tra economia e immaginario pp. 312-313

Francesca Neri

Lucio Argano. Guida alla progettazione della città culturale: rinnovare le geografie, il design, l'azione sociale, la pianificazione nello spazio urbano pp. 313-314

Pietro Antonio Valentino

2021, issue 1

Nota introduttiva pp. 3-5

Alessandro Leon

Introductory note pp. 7-9

Alessandro Leon

The research in the Foundation School of Cultural Heritage activities pp. 11-14

Alessandra Vittorini

Repertory of projects submitted for the European Year for Cultural Heritage 2018 (EYCH) pp. 15-27

Luca Introini

The EYCH 2018 impact on the policy leaders perception pp. 29-45

Alessandro Leon

The EYCH 2018 impact on the CCI in Italy pp. 47-59

Francesca Allegra

The European Year of Cultural Heritage 2018 impact on cultural participation pp. 61-70

Annalisa Cicerchia

Assessing the EYCH impacts. A marginal note pp. 71-76

Francesca Neri

Culture and economy after COVID-19: selected topics for public discussion pp. 77-86

Marco Causi

A flashback and different visions: the European Year of Cultural Heritage pp. 87-97

Margherita Console and Andrea Troisi

EYCH 2018, a European success drawn by Italy pp. 99-111

Cristina Loglio

Italian cultural festivals: The post-pandemic stake pp. 113-122

Oliviero Ponte di Pino and Giulia Alonzo

Inhabiting culture pp. 123-129

Rossella Tarantino

In memory of Luigi Covatta pp. 131-140

Bruno Zanardi

Celebrazione di un quarantennio pp. 141-142

Luigi Covatta

Economie du Cinéma (Giuseppe Richeri) pp. 143-144

Philippe Chantepie and Thomas Paris