Economia della Cultura
1997 - 2024
Current editor(s): Paolo Leon From Società editrice il Mulino Bibliographic data for series maintained by (). Access Statistics for this journal.
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2023, issue Speciale
- Nota introduttiva pp. 5-8

- Annalisa Cicerchia and Catterina Seia
- Introductory note pp. 9-12

- Annalisa Cicerchia and Catterina Seia
- Culture and Health: A Four-Step Journey pp. 13-18

- Pierluigi Sacco
- CultureForHealth and Well-being. On culture’s potential contribution to the economy of well-being pp. 19-26

- Mafalda Damaso and Rarita Zbranca
- Arts and Health: exploring the developments, focus, and strengthening of the field since 2019 pp. 27-36

- Calum Smith
- Art, culture, and the mental health of young people pp. 37-46

- Martina Caroleo and Annalisa Cicerchia
- Cultural participation facing new paradigms pp. 47-52

- Alessandra Gariboldi
- Second welfare and culture: innovation and community to generate well-being pp. 53-60

- Franca Maino
- Health inequalities and the Community Houses. New challenges for the dual concept of Culture and Health pp. 61-70

- Giuseppe Costa
- Italy towards social prescribing pp. 71-80

- Annalisa Cicerchia, Catterina Seia and Vittoria Azzarita
- Museums and cultural heritage for well-being and care: the contribution of ICOM Italy pp. 81-86

- Silvia Mascheroni
- Accessibility at the root of cultural welfare: the case of MUSE pp. 87-92

- Patrizia Famà, Katia Franzoso, Michele Lanzinger and Romana Scandolari
- The Galleria Nazionale in Rome and its publics experience pp. 93-96

- Isabella De Stefano
- Individual and collective well-being. The role of libraries pp. 97-104

- Chiara Faggiolani
- Theatre and health: origins, scopes, perspectives pp. 105-116

- Alessandra Rossi Ghiglione
- The ineffable care of dance pp. 117-124

- Luisella Carnelli and Roberto Casarotto
- Music, well-being creation and alliance in care, from perinatal to end of life pp. 125-140

- Enzo Grossi
- Narrative as a resource in care: Scenarios and developments in the digital age pp. 141-146

- Cristina Cenci
- Culture for active ageing pp. 147-154

- Vittoria Azzarita
- Culture and inclusion: new developments from the experience of the Tuscan Museums for Alzheimer’s pp. 155-160

- Chiara Lachi
- Art in healthcare settings: what strategies? pp. 161-174

- Sendy Ghirardi
- Co-planning and multi-Agency: an Art Care Model for the wellbeing of different organizational cultures pp. 175-180

- Elisa Fulco
- «Fixed place»: a project for new methodological perspectives in the relationship between arts and fragility pp. 181-188

- Giovanna Brambilla
- Dance as a tool for embodied learning, supporting well-being, active aging, and social cohesion pp. 189-204

- Sara Uboldi, Alessandra Marasco and Pier Luigi Sacco
- Territories in motion. Genesis of ongoing processes: the Marche case pp. 205-210

- Francesca Velani
- Cultural welfare, a pillar of territorial policy. The experience of Reggio Emilia pp. 211-216

- Davide Zanichelli
- Well Impact. A contribution from the Third Sector to cultural and health policies pp. 217-226

- Sandra Aloia, Matteo Bagnasco, Simone Martino and Luca Mo Costabella
- The Medical Humanities scene in Italy pp. 227-234

- Mariateresa Dacquino
- Visual Thinking Strategies: Art for Education and Care pp. 235-240

- Vincenza Ferrara
- Professions and skills for cultural welfare: the experience of the CCW School pp. 241

- Giulia Mezzalama
2023, issue 3-4
- Note d'introduction pp. 315-324

- Philippe Chantepie and Pietro Antonio Valentino
- Nota introduttiva pp. 325-334

- Economia della Cultura
- Introductory note pp. 335-344

- Economia della Cultura
- Livestream between uncertainty and promises pp. 345-354

- Maya Bacache-Beauvallet and Françoise Benhamou
- Business models, product designs and pre-shakeout. Towards a VR-based creative industry? pp. 355-376

- Fabrice Rochelandet and Inna Lyubareva
- Between arts and digital technologies: territories role in technocreatives innovations development pp. 377-390

- Etienne Capron and Dominique Sagot-Duvauroux
- Videogame, gamification and museums in Italy. A quantitative and a qualitative in-depth analysis pp. 391-418

- Ludovico Solima, Maria Emanuela Oddo, VIncenzo Colaprice and Andrea Campodonico
- The videogames cultural industry pp. 419-438

- Fabio Viola and Eleonora Caparesi
- The heritage assets in the state balance sheet pp. 439-448

- Fabio Cosimo Calò
- The availability of performing arts places in the Italian major metropolitan cities. Rome, Milan and Naples in the years 2019 and 2021 pp. 449-472

- Massimo Armenise, Alessandro Caramis and Rossella Molinaro
- The Culture in the Italian Recovery and Resilience Facility program. Results applying a text mining approach pp. 473-488

- Fabio Bacchini, Roberto Iannaccone and Pietro Antonio Valentino
- Digital innovation trends in the Italian museums and their audiences relations. A 2019-2023 first assessment pp. 489-504

- Deborah Agostino, Francesca Cruciani and Eleonora Lorenzini
- Digital innovation in Italian opera houses: the legacy of pandemic pp. 505-514

- Nicola Bellini, Maria Raglianti and Giovanni Siracusa
- Protection and technologies. The Parco archeologico del Colosseo monitoring and maintenance system pp. 515-524

- Irma Della Giovampaola
- The Prato Phygital Project and the Cinema Digital Cinema Manifactures in Prato pp. 525-534

- Elisabetta Cianfanelli, Luigi Formicola, Leonardo Giliberti and Francesco Palumbo
- Animation in cultural segments and industries: languages and production chains between animated cartoons and videogame pp. 535-542

- Alfio Bastiancich
- Video game industry as the new frontier of digital Made in Italy? pp. 543-548

- Davide Mancini
- A marking model for immersive exhibitions pp. 549-554

- Vincent Poussou
- Uses of VR, XVR… technologies in the world of heritage pp. 555-558

- Chloé Jarry
- Erwin Dekker and Valeria Morea, Realizing the Values of Art. Making Space for Cultural Civil Society pp. 559-560

- Michele Trimarchi
- Antonio Lampis e Lidia Tecchiati (a cura di), Vite per la cultura italiana. Testimonianze di amministratori, artisti e professionisti pp. 560-562

- Celestino Spada
2023, issue 2
- Nota introduttiva pp. 161-164

- Alessandro Leon and Arianna Spigolon
- Introductory note pp. 165-168

- Alessandro Leon and Arianna Spigolon
- European funding programmes and cultural labor pp. 169-180

- Cristina Oteri and Daniela Pieri
- Mapping of professions and skills in the cultural labor market and their training pathways pp. 181-200

- Annalisa Cicerchia and Cristina Oteri
- The social reasons for supporting cultural professions: the commitment of the Compagnia San Paolo Foundation pp. 201-214

- Sandra Aloia, Laura Fornara, Francesca Gambetta, Enrico Melis and Arianna Spigolon
- Characteristics and conditions of cultural jobs: the survey on workers promoted by the Compagnia di San Paolo Foundation pp. 215-232

- Elena Alessandrini and Alessandro Leon
- Mapping emerging cultural professions and their training paths: scenarios for the future of cultural professions pp. 233-242

- Alessandro Leon, Ottone Ovidi and Carmen Zingales
- Demand and supply of Maritime Museums in Europe. Preliminary reflections on the development of a maritime museum in the Venice Arsenal pp. 243-262

- Luca Zan and Jessica Tanghetti
- Associazione per l'Economia della Cultura, Mapping emerging cultural professions and their training paths. Scenarios for the future of cultural professions pp. 263-278

- Cles Associazione per l'Economia della Cultura
- Council resolution on the EU work plan for culture 2023-2026 pp. 279-294

- Official Journal of the European Union
- Elena Dellapiana, Il design e l’invenzione del Made in Italy; Severino Salvemini, Il quid imprenditoriale. Oltre la retorica del Made in Italy pp. 295-298

- Celestino Spada
- AA.VV., Le immagini del patrimonio culturale, a cura di Daniele Manacorda e Mirco Modolo pp. 299-301

- Madel Crasta
2023, issue 1
- Nota introduttiva pp. 3-7

- Mariagrazia Bellisario, Annalisa Cicerchia and Antonio Taormina
- Introductory note pp. 7-10

- Economia della Cultura
- The Cultural Observatories in Europe and the Compendium of Cultural Policies and Trends pp. 11-18

- Annalisa Cicerchia
- Lightning, fragments, blindness: Observing intermittency pp. 19-28

- Luca Dal Pozzolo
- Cultural observatories and Italian Regions pp. 29-40

- Antonio Taormina
- To observe for sharing. UNESCO, landscapes, networks: thoughts and remarks on the Observatories experiences pp. 41-54

- Mariagrazia Bellisario
- Observing culture at EU level. EUROSTAT culture statistics pp. 55-68

- Andrea Gallelli
- Capitals and Cities of Culture: notes towards the construction of a research agenda pp. 69-74

- Franco Bianchini and Alexandra Oanca
- Using TripAdvisor for monitoring and improving the management of the Heritage sites pp. 75-84

- Fabio Bacchini, Fabrizio Di Mari and Roberto Iannacone
- Gender observatories in creative and cultural sectors pp. 85-94

- Flavia Barca
- The educational project «In20amo il paesaggio» and the Landscape Observatory of the Veneto Region pp. 95-106

- Benedetta Castiglioni
- The Regional Observatory of performing arts in Veneto Region. A proposal based on the research pp. 107-114

- Maria Lusiani, Fabrizio Panozzo and Andrea Santini
- The article reports on the analysis of the performing art ecosystem in Veneto and on the proposal for a set of methodological recommendations as well as a dataset and data-visualization tool intended to contribute to the development of the regional observatory as defined by Regional Law 17 in 2019, but not yet fully developed pp. 115-118

- Basque Observatory of Culture
- The Italian approach to widespread cultural heritage valorization demands a significant and deep change pp. 119-128

- Irene Bongiovanni
- The Associazione Civita and Study Center «Gianfranco Imperatori» activity pp. 129-134

- Giovanna Castelli
- The experience gained in the field by Federculture pp. 135-140

- Umberto Croppi
- Symbola’s Notebooks. Recognising and promoting the value of culture and creativity in the Italian economy pp. 141-146

- Domenico Sturabotti and Camilla Lo Schiavo
- The performing arts in the Italian non-profit sector at the Trial of the Third Sector Code pp. 147-150

- Carlo Testini
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